--- title: "Atlas" description: "Atlas of Arthur Fouray Systems: works, projects and pages set side by side in plates after Aby Warburg’s Mnemosyne, each relation marked found or inferred." canonical: https://arthurfouray.systems/atlas type: CollectionPage year: 2015 updated: "2026-09-26T20:00:04+00:00" license: https://creativecommons.org/licenses/by-nc-nd/4.0/ --- # Atlas Atlas Arthur Fouray Atlas An atlas of the works on this site, after Aby Warburg’s Bilderatlas Mnemosyne and the portable museum: fifteen plates, lettered A to C and numbered 1 to 12, each setting images from different pages side by side around one notion. Under each plate the words are quoted from the pages linked, and the images are the site’s own. Choose an image to see where its page, image or year returns on other plates; rearrange the whole by year, by section or at random; or gather images into a plate of your own, which the address keeps. Each image and each link between plates is marked found , the site states the relation; the source is quoted or named; inferred , read by the Atlas from a shared word, name, number or subject that the pages do not connect themselves; external , a reference from outside the site, added by the Atlas. Plates: A Box, archive, interface · B The name as material · C A colour from two initials · 1 Hidden objects · 2 Bedding as frame · 3 Morel: projection · 4 Display · 5 Labels · 6 Vehicles for a museum · 7 A game of associations · 8 Borrowed letters · 9 Painting and sound · 10 Words on things · 11 Archives as exhibitions · 12 Before A Box, archive, interface How the site describes itself: a box after Duchamp, an interface rather than a portfolio, an archive that can be handled and recomposed. M , 2015 found — “M TEXTS MAPS LINKS SIGNS FORMS SOURCES SITUATIONS…” (its page) A Painting on the Wall, 001 , 2012 found — “The goal of this website is to create a medium similar to an exhibition display, adapted to web standards.” (its page) SCREEN , 2017 found — described as “Artist’s Book…” in the site’s index senza titolo / (X5m4mjB-1) (#AAAFFF) , 2017 found — “…one object refers to the other, activating memory, signalling, and reminding of its twin…” (its page) “Inspired by Duchamp’s La Boîte verte (1934) and built as an interface rather than a portfolio, it traces and retraces a single body of work…” — Chronology “Images, words and references can be rearranged into changing connections, extending the archive into a form that can be handled and recomposed.” — Chronology “It is then refined via multiple phases of selection, extraction, juxtaposition, and presentation.” — a + o − Objects “At its core, through this repetitive effect, one object refers to the other, activating memory, signalling, and reminding of its twin.” — Greffes external — Aby Warburg, Bilderatlas Mnemosyne, 1924–1929: panels of photographs pinned to black cloth, lettered A, B, C and then numbered, left unfinished in 1929. This page borrows that order. The site does not cite Warburg. external — Marcel Duchamp, Boîte-en-valise, 1935–1941: a portable museum of his own works in miniature. The site cites La Boîte verte (1934), not the valise. external — André Malraux, Le Musée imaginaire, 1947: the museum as a sequence of reproductions. The site does not cite Malraux. → Plate 7 , recomposed. found — “P+ develops as an associative system of 620 physical and digital cards.” ( Chronology ) → Plate 6 , box, shoebox museum. inferred — both are a box that holds a museum; neither page names the other: “Inspired by Duchamp’s La Boîte verte (1934)” ( Chronology ); “…tucked it into his home-made ‘shoebox museum’” ( Hans Ulrich Obrist Archives, Chapter 5: Maria Lassnig ) B The name as material The artist’s name taken apart into syllables, initials, an acronym and a signature, each used as a work or a label. AHFR found — “Art Hur Fou Ray m ART#AAA mm HUR FFF FOU#000 RAY FFF…” (its page) Barcode Signature Id 01 , 2022 found — “Much like faces, signatures are unique embodiments of a person, proofs of identity and are designed to be challenging to counterfeit.” (its page) Artarre , 2015 inferred — the record calls it a verb conjugation table; reading “Art” in it as the first syllable of the name is the Atlas’s; described as “Verb conjugation table in Italian…” in the site’s index MM 01 , 2016 inferred — the doubled initial of the mmm family of titles; the MM page gives no text “ Décomposition des quatre syllabes de mon prénom et de mon nom de famille. ” — M “Through the use of an impersonal acronym, rt4a embraces a diverse array of practices and identities, fostering a dialogue based on interconnectivity and multiplicity.” — rt4a “As a signature, it embodies a paradox: simultaneously the mark of an artistic act and an impersonal symbol obscuring individual identity.” — rt4a Index → Plate C , ART#AAA. found — “Art Hur Fou Ray m ART#AAA mm HUR FFF FOU#000 RAY FFF…” ( Art Hur Fou Ray ) → Plate 5 , cartels. found — “ J’utilise cette forme pour mes cartels, ma carte de visite, et mon site web… ” ( M ) C A colour from two initials Two web colour codes, #aaafff and #000fff, name the series of plates 1 to 3. Spectre , 2015 found — “These shades, a midpoint between sky blue and purple, conceal objects…” (its page) Spectre , 2015 found — “With #000fff PolyVision, Spectre introduces an exception.” (its page) “Their pale blue takes its name from a web colour code formed from the initials A and F; objects concealed within the paintings make what cannot be seen part of the work.” — Chronology “These shades, a midpoint between sky blue and purple, conceal objects – most frequently from domestic settings – within their frames.” — Spectre → Plate 1 , #aaafff. found — “The title of each artwork pairs the series name, #aaafff, with the designation of the hidden object.” ( #aaafff ) → Plate 3 , #000fff. found — “…its three blue incrustation wall paintings, marking the format’s three aspect ratios, begin the 000fff series…” ( Chronology ) 1 Hidden objects Each #aaafff painting is named after the object it hides. #AAAFFF (CAR) , 2013 found — the title carries #aaafff #AAAFFF (Cendrier) , 2013 found — the title carries #aaafff #AAAFFF (autruche) , 2016 found — the title carries #aaafff #AAAFFF (STUDIO MODERNES) , 2015 found — “#aaafff (STUDIO MODERNES) 2015 acrylic, blackout fabric, towels…” (its page) #AAAFFF (Mach 6) , 2014 found — the title carries #aaafff #AAAFFF (CAR) , 2013 found — the title carries #aaafff senza titolo / (X5m4mjB-1) (#AAAFFF) , 2017 found — the title carries #aaafff #AAAFFF (existenz) , 2017 found — “#aaafff (existenz) 2017 acrylic, blackout fabric, unknown object…” (its page) “The title of each artwork pairs the series name, #aaafff, with the designation of the hidden object.” — #aaafff “As viewers engage with a #aaafff painting and contemplate the obscured object, the monochromatic expanse transforms into a dynamic interface: a bridge between the concealed object and the viewer’s imagination.” — #aaafff → Plate 2 , monochromatic. found — “Like the #aaafff series, these artworks are monochromatic, unified by incorporating bedding elements as frames.” ( Spectre ) 2 Bedding as frame The object-paintings: canvas stretched over a bed base, a pillow, a duvet; the first names come from the paintings’ titles. Lite , 2013 inferred — the Spectre text dates the series to 2013 and a bed base; Lite (2013, bed base) matches but is not named there; “Lite dispersion, thick cotton, do it bed base…” (its page) Lauren (Azur) , 2013 found — “Lauren (Azur) 2013 – 2014 acrylic, cotton–duck, bedbase…” (its page) Kasimir (Ciel) , 2014 found — “Kasimir (Ciel) 2014 acrylic, cotton–duck, pillow…” (its page) Morris (Saphir) , 2014 found — “Morris (Saphir) 2014 acrylic, cotton–duck, duvet…” (its page) Andy IV , 2014 found — “Andy IV 2014 acrylic, cotton–duck, pillow…” (its page) Hélio (Noir Cendré) , 2014 found — “Hélio (Noir Cendré) 2014 acrylic, cotton–duck, baby duvet…” (its page) Kasimir (Rose Pâle) , 2014 found — “Kasimir (Rose Pâle) 2014 acrylic, cotton–duck, pillow…” (its page) Andy III , 2015 found — “Andy III 2015 acrylic, cotton–duck, pillow…” (its page) Kasimir (Signal Blue) , 2015 found — “Kasimir (Signal Blue) 2015 acrylic, cotton–duck, pillow…” (its page) Chroma Key, Titanium (Andy) , 2015 found — “Chroma Key, Titanium (Andy) 2015 acrylic, cotton–duck, pillows…” (its page) Lauren (#AAAFFF) , 2016 found — “Lauren (#aaafff) 2016 acrylic, cotton–duck, bed base…” (its page) Rrose (DOC!) , 2016 found — “Rrose (DOC) 2016 acrylic, jute fabric, pillow…” (its page) MC (Baby blue) , 2016 inferred — a ladder instead of bedding; the page does not place it in the series; “MC (Baby blue) 2016 acrylic, cotton–duck, ladder…” (its page) “Initiated in 2013, it commenced when Fouray stretched canvas over his bed’s box spring.” — Spectre “The ‘object-paintings’ series features Andy and Kasimir as its focal points.” — Spectre “Like the #aaafff series, these artworks are monochromatic, unified by incorporating bedding elements as frames.” — Spectre external — Kazimir Malevich, White on White, 1918: Kasimir, and the Morel subtitled “Carré Blanc Sur Fond Toile”, read as Malevich. The site does not say so. external — Rrose Sélavy, Marcel Duchamp’s alias, 1920–: Rrose (DOC) read as Duchamp’s Rrose. The site does not say so. 3 Morel: projection From hiding to projecting: #000fff takes the chroma-key blue and the screen formats of cinema; Morel names the boxes and the machine. #000FFF (polyvision) (Spectre) , 2015 found — the title carries #000fff #000FFF (univision) (Kasimir I) , 2016 found — the title carries #000fff #000FFF (Natural Vision) (IFP) , 2017 found — the title carries #000fff Chroma Key, Titanium (Andy) , 2015 found — the title carries chroma key Morel (#AAAFFF polyvision) , 2015 found — “Morel (#aaafff polyvision) 2015 frame, key frames, #aaafff polyvision…” (its page) Morel (P.A.S, C.B.S.F.T.) , 2016 found — “Morel (P.A.S., C.B.S.F.T.) 2016 cotton-duck, frames, P.A.S., Carré Blanc Sur Fond Toile…” (its page) “This piece, a mural bearing the intense hue of #aaafff, does not conceal but rather implies an object’s projection.” — Spectre “The painting made for it, 000fff (Polyvision) (Spectre), takes its name from Abel Gance’s three-screen process for Napoléon (1927)” — Chronology “Instead, it was stored within a wooden box constructed from painting stretchers, forming part of the ‘Morel’ series.” — SCREEN “Within the narrative, ‘Morel’, a fictional entity, creates a machine that duplicates human actions, continually powered by oceanic rhythms.” — SCREEN → Plate 6 , The Invention of Morel. found — “This concept, ‘The Invention of Morel’, is a cornerstone of the relational aesthetics movement.” ( SCREEN ); “An island, replicating the epiphany from 'The Invention of Morel' (1940) by Adolfo Bioy Casares, could present a complex museum dystopia.” ( P+ I ) → Plate 4 , curtain. found — “…with the curtain acting as the narrative’s canvas…” ( SCREEN ) 4 Display How paintings hang: picture rails, frames, a curtain, a museum rebuilt in models. SCREEN, JOHN MCCRACKEN , 2017 found — “Sketches by artists such as McCracken, Graham, and Torres laid the groundwork for the exhibition.” (its page) SCREEN, FÉLIX GONZÁLEZ-TORRES , 2017 found — “Sketches by artists such as McCracken, Graham, and Torres laid the groundwork for the exhibition.” (its page) SCREEN, 1. DAN FLAVIN , 2017 found — the title carries SCREEN SCREEN, DAVID BOWMAN , 2017 found — the title carries SCREEN They Hover over Me , 2025 inferred — the page speaks of picture rails too; neither it nor SCREEN refers to the other; “…beneath the steel picture rails…” (its page) Silicon Malley on Italian Museography , 2018 found — “On Italian museography, but refrained to the site of BBPR’s Castello Sforzesco.” (its page) “Fouray embarked on a six-month quest to answer a question: How were paintings historically displayed before the advent of picture rails?” — SCREEN “This question remains unresolved.” — SCREEN “…beneath the steel picture rails where the pieces hover above our heads…” — They Hover over Me “The whole is held together within the maze of a small scale private chapel.” — On Italian museography 5 Labels The wall label as a work: labels drawn as paintings, labels made years later for early works. C.R.O.M. , 2012 found — “C.R.O.M., a group show in Saint-Émilion with Nicolas Degrange and Paul Limoujoux.” ( Chronology ) Studio > < Exhibition , 2013 found — “…accompanied by wall labels giving their medium, date, dimensions and installation…” ( Chronology ) Accident Painting , 2012 found — “…accompanied by wall labels giving their medium, date, dimensions and installation…” ( Chronology ) Levier , 2012 found — “…accompanied by wall labels giving their medium, date, dimensions and installation…” ( Chronology ) Doc Pierre Joseph Fondation Vincent Van Gogh Arles , 2018 found — “He hijacks the keywords and labels…” (its page) Doc Pierre Joseph Fondation Vincent Van Gogh Arles , 2018 found — “He hijacks the keywords and labels…” (its page) “Cartels à Jouer: wall labels drawn as paintings, and paintings written as labels.” — Chronology “Pre-Natal brings together sculptures, paintings and videos, accompanied by wall labels giving their medium, date, dimensions and installation.” — Chronology “Artistic display apparatuses, such as explanatory panels and labels, became integral to this research.” — Pre-Natal “He hijacks the keywords and labels, confusing everything while clarifying the themes of his solo exhibition.” — Pierre Joseph, Fondation Vincent van Gogh Arles → Plate 12 , Cartes-cartels. found — “Cartes-cartels, forty pages of museum-style labels made in 2023 for works from 2012.” ( Chronology ) 6 Vehicles for a museum Museums imagined elsewhere: a train, a ship, an island, a shoebox, a glass foyer. P+ I 001 , 2024 found — “A train, arranged as a white cube, would be an ideal exhibition space.” (its page) P+ I 002 , 2024 found — “A contemporary art museum as a refurbished cruise ship.” (its page) Caravan , 2017 found — “…literally at the interface of interior and exterior space…” (its page) “A train, arranged as a white cube, would be an ideal exhibition space.” — P+ I “A contemporary art museum as a refurbished cruise ship.” — P+ I “Opening museums during the day for the general public and at night exclusively for artists.” — P+ I “…tucked it into his home-made ‘shoebox museum’” — Hans Ulrich Obrist Archives, Chapter 5: Maria Lassnig “A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.” — Beware of Curator – Smithson Cultural Confinement (music) → Plate 11 , night train. inferred — the same word; neither page refers to the other: “A train, arranged as a white cube…” ( P+ I ); “…travelling by night train, each encounter leading to another, each artist sending him to others…” ( Hans Ulrich Obrist Archives, Chapter 1: Édouard Glissant (Arles) ) 7 A game of associations P+: projects sketched as cards that can be dealt, sorted and recombined — the portable form of the archive. P+ II 010 , 2024 found — the title carries P+ P+ III 001 , 2025 found — the title carries P+ P+ III 002 , 2025 found — the title carries P+ P+ IV, Hansa yellow — Lascaux Artist — 111 , 2026 found — “P+IV LASCAUX 2026 Hansa yellow…” (its page) P+ IV, Cadmium yellow light — Lascaux Artist — 112 , 2026 found — “P+IV LASCAUX 2026 Hansa yellow Cadmium yellow light…” (its page) “P+ is a game of associations, a corpus of possibilities where prospects and projects can form storyboards, narratives, scripts, events, and exhibitions.” — P+ “In two words: Oblique Strategies.” — P+ “…which serve as a template for real physical playing cards…” — P+ “P+ develops as an associative system of 620 physical and digital cards.” — Chronology external — Brian Eno and Peter Schmidt, Oblique Strategies, 1975: the site names the cards; their authors and date are added here. → Plate 11 , utopia. inferred — the same word in two languages; neither page refers to the other: “A prospect can evolve into a work, a series of works, a presentation, a representation, a utopia, or a dystopia.” ( P+ ); “ Dans un monde imprévisible, l’utopie est nécessaire… ” ( Biography ) 8 Borrowed letters Canvases that take over a logo, a typeface or a sign from outside the art world. Museum , 2021 found — “When Museum replaces the Marvel logo, it is not only a visual trick.” (its page) Beware of Curator , 2021 found — “…draws inspiration from the ‘Beware of Dog’ signs…” (its page) Conservatism kills , 2022 found — “…coupled with the Helvetica typeface…” (its page) Dunno , 2022 found — “…his iconic use of the typeface Univers 85…” (its page) IDEA , 2022 found — “…based on the other letters from the logo ‘IKEA’” (its page) This Is Not A Tender World , 2021 found — “Rendered in the Croissant font by Philip Kelly (1978), it evokes a bygone era.” (its page) Duty , 2022 found — “…which mandates a centred human face devoid of typefaces or promotional content…” (its page) “Museum (Fraser Official Welcome) and Beware of Curator bring text and familiar visual signs onto canvas.” — Chronology “Ancient Greece’s Museion was not just a structure but a philosophical and spiritual embodiment of higher pursuits.” — Museum (Fraser Official Welcome) “The liminal space occupied by Beware of Curator draws inspiration from the ‘Beware of Dog’ signs, twisted with humour into a museum context.” — Beware of Curator → Plate 9 , Beware of Curator. found — “Beware of Curator is also paired with a sound work released in 2022.” ( Chronology ) 9 Painting and sound The same image published twice: as a painting under rt4a and as the cover of a release under Music. Beware of Curator - Smithson Cultural Confinement , 2022 found — the same image as on Beware of Curator Accelerate , 2022 found — the same image as on Accelerate This Is Not a Tender World , 2022 found — the same image as on This Is Not A Tender World Chiquito , 2022 found — the same image as on Chiquito CALL , 2022 found — “Born from the melodies of a personal Apple Music playlist…” (its page) Ecco Beach (a + o -) , 2025 found — “Ecco Beach (a + o -) rt4a…” (its page) “Beware of Curator is also paired with a sound work released in 2022.” — Chronology “The accompanying song borrows elements from The Matrix theme song and melds them with beats inspired by Teardrop by Massive Attack (1998).” — Chiquito “Born from the melodies of a personal Apple Music playlist, Call is as much an artwork as it is a narrative, weaving together the strains of music, digital symbolism, and human connections.” — CALL → Plate 10 , a + o -. found — “Ecco Beach (a + o -) rt4a…” ( Ecco Beach (a + o −) (music) ) 10 Words on things Words carved into glaze, objects read as signs, a ceramic painted because it was never given. Feast , 2022 found — “The series explores words on various qualities of backgrounds…” (its page) Feast , 2022 found — “The series explores words on various qualities of backgrounds…” (its page) Distance , 2022 found — “The series explores words on various qualities of backgrounds…” (its page) Hope , 2022 found — “The series explores words on various qualities of backgrounds…” (its page) Go , 2022 found — “The series explores words on various qualities of backgrounds…” (its page) Baby Blue Cocktail , 2014 found — “…objects are seen as the notes and tones used to write music…” ( a + o − Objects ) Love Disco-Ball , 2014 found — “…objects are seen as the notes and tones used to write music…” ( a + o − Objects ) Black Light Lamps , 2014 found — “…objects are seen as the notes and tones used to write music…” ( a + o − Objects ) Welcome to the Art World , 2023 found — “I had the insight to paint it myself…” (its page) “The series explores words on various qualities of backgrounds and glaze associations, intended to resonate with the food served upon them.” — Plates “Through the prism of α + ο -, objects are seen as the notes and tones used to write music, or the combinations of signs supporting languages and speech.” — a + o − Objects “I had the insight to paint it myself—to, in a way, possess it.” — Welcome to the Art World → Plate A , Alfredo Aceto. found — “…a friend, Alfredo Aceto, had long promised to exchange or give me a ceramic of his…” ( Welcome to the Art World ); “Special thanks to Alfredo Aceto…” ( Greffes ) 11 Archives as exhibitions Exhibitions made from other people’s archives and work, as curator. Édouard Glissant, LUMA Arles , 2021 found — “…dedicated to Édouard Glissant…” ( Biography ) Édouard Glissant, LUMA Westbau , 2023 found — “…dedicated to Édouard Glissant…” ( Biography ) Etel Adnan, LUMA Arles , 2022 found — “Etel Adnan…” ( Biography ) Agnès Varda, LUMA Arles , 2023 found — “Agnès Varda…” ( Biography ) Lauren Coullard, BREAK (FEAST), Silicon Malley , 2017 found — “…he has organised exhibitions by Lauren Coullard…” ( Biography ) Grichka Commaret and Kim Farkas, Tournures, DOC! , 2018 found — “Grichka Commaret and Kim Farkas, Tournures, DOC!, Paris, 2018…” ( Chronology ) A Brief History of Curating , 2017 external — the title of Hans Ulrich Obrist’s book (2008); the 2080 page does not say so; “A Brief History of Curating 2017 gouache, arches paper, cardboard…” (its page) “…a series of exhibitions structured around the archives…” — Biography “…featuring a series of chain reactions involving ordinary objects set in motion where one thing leads to another…” — Hans Ulrich Obrist Archives, Chapter 1: Édouard Glissant (Arles) “…travelling by night train, each encounter leading to another, each artist sending him to others…” — Hans Ulrich Obrist Archives, Chapter 1: Édouard Glissant (Arles) → Plate 6 , night train. inferred — the same word; neither page refers to the other: “…travelling by night train…” ( Hans Ulrich Obrist Archives, Chapter 1: Édouard Glissant (Arles) ) 12 Before The early archive, before and around art school: returned to the present as an archive. Drawings , 1993 found — dated 1993 in the site’s index Research Comics , 2007 found — dated 2007 in the site’s index Sculptures , 2010 found — dated 2010 in the site’s index 3D Paintings , 2011 found — dated 2011 in the site’s index Missing Information, 001 , 2011 found — dated 2011 in the site’s index A Painting on the Wall, 003 , 2012 found — dated 2012 in the site’s index Camp Views , 2013 found — dated 2013 in the site’s index Step Framed , 2013 found — dated 2013 in the site’s index Mono Chat*Rio , 2013 found — dated 2013 in the site’s index “The catalogue gives materials and dimensions to an early body of sculpture, painting and installation and returns it to the present as an archival form.” — Chronology “A Painting on the Wall explores the foreground/background relationship from a curatorial point of view.” — A Painting on the Wall → Plate A , archival form. found — “…returns it to the present as an archival form…” ( Chronology ) Continue with the Curriculum Vitae , the Biography , the Chronology , Relations , Bibliography & Press or the Index . ## Related pages - 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[P+](https://arthurfouray.systems/pplus) - [Biography](https://arthurfouray.systems/biography) - [Museum](https://arthurfouray.systems/rt4a-museum-fraser-official-welcome) - [Beware of Curator](https://arthurfouray.systems/rt4a-beware-of-curator-smithson-cultural-confinement) - [Conservatism kills](https://arthurfouray.systems/rt4a-conservatism-kills) - [Dunno](https://arthurfouray.systems/rt4a-dunno) - [IDEA](https://arthurfouray.systems/rt4a-idea) - [This Is Not A Tender World](https://arthurfouray.systems/rt4a-this-is-not-a-tender-world) - [Duty](https://arthurfouray.systems/rt4a-duty) - [Accelerate](https://arthurfouray.systems/music,-rt4a,-accelerate) - [Accelerate](https://arthurfouray.systems/rt4a-accelerate) - [This Is Not a Tender World](https://arthurfouray.systems/music,-rt4a,-this-is-not-a-tender-world) - [Chiquito](https://arthurfouray.systems/music,-rt4a,-chiquito) - [Chiquito](https://arthurfouray.systems/rt4a-chiquito) - [CALL](https://arthurfouray.systems/rt4a-call) - [Ecco Beach (a + o -)](https://arthurfouray.systems/music,-rt4a,-ecco-beach-(a-plus-o-minus)) - [Feast](https://arthurfouray.systems/rt4a-plates) - [Hope](https://arthurfouray.systems/rt4a-bowls) - [Go](https://arthurfouray.systems/rt4a-small-bowls) - [Baby Blue Cocktail](https://arthurfouray.systems/a-plus-o-minus-entourage) - [Welcome to the Art World](https://arthurfouray.systems/rt4a-welcome-to-the-art-world) - [Édouard Glissant, LUMA Westbau](https://arthurfouray.systems/exhibition-making-luma-westbau-hans-ulrich-obrist-archives-chapter-1-edouard-glissant) - [Etel Adnan, LUMA Arles](https://arthurfouray.systems/exhibition-making-luma-arles-hans-ulrich-obrist-archives-chapter-2-etel-adnan) - [Agnès Varda, LUMA Arles](https://arthurfouray.systems/exhibition-making-luma-arles-hans-ulrich-obrist-archives-chapter-3-agnes-varda) - [Lauren Coullard, BREAK (FEAST), Silicon Malley](https://arthurfouray.systems/exhibition-making-silicon-malley-lauren-coullard-breakfeast) - [Grichka Commaret and Kim Farkas, Tournures, DOC!](https://arthurfouray.systems/exhibition-making-doc-grichka-commaret-kim-farkas-tournures) - [Drawings](https://arthurfouray.systems/before-arts) - [Missing Information, 001](https://arthurfouray.systems/missing-information) - [Camp Views](https://arthurfouray.systems/camp-views) - [Curriculum Vitae](https://arthurfouray.systems/curriculum-vitae) - [Relations](https://arthurfouray.systems/relations) - [Bibliography & Press](https://arthurfouray.systems/bibliography-press) - [Index](https://arthurfouray.systems/index) ## Structured data ```json { "@context": "https://schema.org", "@graph": [ { "@type": "CollectionPage", "@id": "https://arthurfouray.systems/atlas#webpage", "url": "https://arthurfouray.systems/atlas", "name": "Atlas", "description": "An atlas of the works of Arthur Fouray after Aby Warburg’s Bilderatlas Mnemosyne: fifteen plates of images from across the site, each around one notion, with every relation quoted from the site and marked found, inferred or external.", "inLanguage": "en", "isPartOf": { "@id": "https://arthurfouray.systems/#website" }, "about": { "@id": "https://arthurfouray.systems/#arthur-fouray" }, "creator": { "@id": "https://arthurfouray.systems/#arthur-fouray" }, "breadcrumb": { "@id": "https://arthurfouray.systems/atlas#breadcrumb" }, "hasPart": { "@id": "https://arthurfouray.systems/atlas#plates" } }, { "@type": "BreadcrumbList", "@id": "https://arthurfouray.systems/atlas#breadcrumb", "itemListElement": [ { "@type": "ListItem", "position": 1, "name": "Arthur Fouray Systems", "item": "https://arthurfouray.systems/" }, { "@type": "ListItem", "position": 2, "name": "Systems", "item": "https://arthurfouray.systems/systems" }, { "@type": "ListItem", "position": 3, "name": "Atlas", "item": "https://arthurfouray.systems/atlas" } ] }, { "@type": "DefinedTermSet", "@id": "https://arthurfouray.systems/atlas#plates", "name": "Atlas: plates", "hasDefinedTerm": [ { "@type": "DefinedTerm", "termCode": "A", "name": "Box, archive, interface", "url": "https://arthurfouray.systems/atlas#plate-A" }, { "@type": "DefinedTerm", "termCode": "B", "name": "The name as material", "url": "https://arthurfouray.systems/atlas#plate-B" }, { "@type": "DefinedTerm", "termCode": "C", "name": "A colour from two initials", "url": "https://arthurfouray.systems/atlas#plate-C" }, { "@type": "DefinedTerm", "termCode": "1", "name": "Hidden objects", "url": "https://arthurfouray.systems/atlas#plate-1" }, { "@type": "DefinedTerm", "termCode": "2", "name": "Bedding as frame", "url": "https://arthurfouray.systems/atlas#plate-2" }, { "@type": "DefinedTerm", "termCode": "3", "name": "Morel: projection", "url": "https://arthurfouray.systems/atlas#plate-3" }, { "@type": "DefinedTerm", "termCode": "4", "name": "Display", "url": "https://arthurfouray.systems/atlas#plate-4" }, { "@type": "DefinedTerm", "termCode": "5", "name": "Labels", "url": "https://arthurfouray.systems/atlas#plate-5" }, { "@type": "DefinedTerm", "termCode": "6", "name": "Vehicles for a museum", "url": "https://arthurfouray.systems/atlas#plate-6" }, { "@type": "DefinedTerm", "termCode": "7", "name": "A game of associations", "url": "https://arthurfouray.systems/atlas#plate-7" }, { "@type": "DefinedTerm", "termCode": "8", "name": "Borrowed letters", "url": "https://arthurfouray.systems/atlas#plate-8" }, { "@type": "DefinedTerm", "termCode": "9", "name": "Painting and sound", "url": "https://arthurfouray.systems/atlas#plate-9" }, { "@type": "DefinedTerm", "termCode": "10", "name": "Words on things", "url": "https://arthurfouray.systems/atlas#plate-10" }, { "@type": "DefinedTerm", "termCode": "11", "name": "Archives as exhibitions", "url": "https://arthurfouray.systems/atlas#plate-11" }, { "@type": "DefinedTerm", "termCode": "12", "name": "Before", "url": "https://arthurfouray.systems/atlas#plate-12" } ] } ] } ```