---
title: "pplus N"
description: "P+N Nulla, 2012: Cartels à Jouer, 37 playing cards in which wall labels are drawn as paintings and paintings written as labels, the origin of P+."
canonical: https://arthurfouray.systems/pplus-n
type: CreativeWork
year: 2012
updated: "2026-09-26T22:55:33.710Z"
license: https://creativecommons.org/licenses/by-nc-nd/4.0/
---
# pplus N

P+ holographic

P+ background

P+ N

P+N

NULLA

2012

DR. X

Arthur Fouray,

Cross in polyester

resin on stretched

canvas,

2012.

Notes:

The striking symbol of this piece

can be put to practical use: for

example, if you are organising an

exhibition and one of the works

does not suit you, you can

affix-juxtapose this piece to it.

WEIRDO

Arthur Fouray,

Silver resin,

crystal pigment, and

resin + blue Patina

on a silver frame,

2012.

Notes:

This frame can be placed on a

shelf or hung on the wall. The

colour matters little, but it must

under no circumstances be hung

on the floor.

FROMAGE

Arthur Fouray,

Four layers of

resin, yellow, orange,

then 2x yellow,

on object,

2012.

Notes:

This panoptical object should be

placed intelligently on the floor. It

can also play with “FROMAGE

(BIS)”.

POLA. DEV.

Arthur Fouray,

Painted Polaroid

film pack on a

resined frame,

2012.

Notes:

Working on the floor, this piece is

a kind of U.F.0. that can be

paired with “WEIRDO”, but the

display is left open. The only

thing to know is that this piece is

phosphorescent.

XYLO.

Arthur Fouray,

Painted palette

and xylophone,

2012.

Notes:

Best of all, of course, is to be

able to play this instrument,

heavy with meaning, but it can

also be shown as a painting,

evoking some of Jean Arp’s

sculptures. This sculpture can

work with “SOL RÉMI”.

WHITE CARPET

Arthur Fouray,

White paint on

clear tarpaulin,

dimensions variable,

2012.

Notes:

This is a device that serves to set

off a piece. The aim is to create

an equivalent of the white wall,

but on the floor. A plinth works

like a frame, not like a white wall,

and the floor in no way fulfils the

function of the white wall.

FROMAGE (BIS)

Arthur Fouray,

Spray paint and

resin on object,

2012.

Notes:

This panoptical object should be

placed intelligently, on the floor,

on the wall or on the ceiling, to

raise a question about its

function. It can also play with

“FROMAGE”.

COSMO GLASS

Arthur Fouray,

Resined plastic

glasses,

2012.

Notes:

This sculpture keeps evolving for

as long as I live. I make a point of

adding another tier with each

new resin piece I make.

CHROME

Arthur Fouray,

Canvas on frame,

spray-painted,

2012.

Notes:

This canvas can be displayed

vertically, or diagonally,

depending on use. The white wall

is a quality choice.

PEPITO PIZZA

Arthur Fouray,

Resin and foam

on sagex,

2012.

Notes:

This sculpture must imperatively

be shown on the wall, at a height

other than 175 cm.

RÊVE AUTOMATIQUE

Arthur Fouray,

2 sheets of paper,

one drawn, the other

printed, and resined,

2012.

Notes:

This piece is made of the two

sheets of paper, hung with

drawing clips. They must sit 12.5

cm apart.

CADR’ RÉNAL

Arthur Fouray,

2 resin bricks,

2012.

Notes:

These two bricks must be

presented side by side on the

floor. The arrangement is left to

the curator.

FAUX PLAFOND

Arthur Fouray,

Rosette (white) on

painted wall (blue),

2012.

Notes:

The rosette should appear on an

azure/sea-blue background. The

wall must be painted with scotch

tape on the left and right, starting

at the floor. The wall painting

stops at the highest point the

painter can reach. Paint is

applied with a roller.

CARRÉ B. SUR FOND B.

Arthur Fouray,

Resin+krink+gesso

on pre-primed

canvas,

2012.

Notes:

This canvas must be hung at a

child’s height.

RADIS COMP.

Arthur Fouray,

SM58 microphone

in a plastic tube,

2012.

Notes:

This object must be hung from

the ceiling, and can be used to

record an exhibition space.

SOL RÉMI

Arthur Fouray,

Print on canvas,

2012.

Notes:

This painting is also an object,

since it has no stretcher. It can

be completed by “XYLO.”, or by

the music produced by the text.

GAGA

Arthur Fouray,

Red resin on dried

gesso on a fluo

plinth,

2012.

Notes:

This sculpture includes the plinth

and the piece, and can be shown

in front of “Fig.2 : Wall Painting”.

Should the plinth be lost, mix

phosphorescent yellow paint

(acrylic), Sennelier fluorescent

yellow pigment and Lascaux

gesso.

Pat

Arthur Fouray,

Imitation paper towel

on painted canvas,

2012.

Notes:

This canvas can only be placed

on the floor, since it is stretched

over a board.

«FLYING CAT»

Arthur Fouray,

Gouache on

oval canvas,

2012.

Notes:

This figurative painting of a cat

(9GAG) is hung more than 2 m

above the floor.

De Serena, avec A.

Arthur Fouray,

Sheet held by a

drawing clip,

2012.

Notes:

The kiss is by Serena, the clip by

Baxter. This piece can suit

anywhere and nowhere.

Un Mot C’est :

Arthur Fouray,

Resin on

a road sign,

2012.

Notes:

This sculpture is best placed

leaning against a wall.

Sein

Arthur Fouray,

Resin (+acrylic) and

gesso on found object,

2012.

Notes:

This piece rests against a wall

(because of its weight).

P.B.W.

Arthur Fouray,

Dispersion paint

on a found pallet,

2012.

Notes:

This piece is best shown on a

white wall, with visible nails (of a

certain pictorial quality).

AH!

Arthur Fouray,

print on canvas

in a painted frame,

2012,

23.8 x 18.7 x 2.5 cm.

Notes:

This object, classified as a

sculpture, rests on the floor. It is

the only constraint imposed by

this piece.

Cartels à Jouer

Arthur Fouray,

cards,

2012,

6.2 x 8.7 x 0.03 cm

each.

Notes:

Tournaments of cartels must be

held regularly. In an exhibition

context, display them loose on a

table. This collection, a unique

piece, is in perpetual evolution,

and can be technically

reproduced.

Fig.1 : Label

Arthur Fouray,

print on canvas,

2012,

55 x 38 x 2.5 cm.

Notes:

This painting completes Fig.2 :

Wall Painting. The placement of

this canvas matters little, but it

should preferably lean against

the same wall.

Fig.2 : Wall Painting

Arthur Fouray,

wall painting,

2012,

200 x 100 x 1 cm.

Notes:

All the information concerning

the execution of this wall

painting is contained in the text

of Fig.1 : Label.

LDMB49.49

Arthur Fouray,

video projection,

2012,

16/9 format,

dimensions variable,

(49.49 min).

Notes:

This video may or may not be

part of an installation. On its

own, it must be projected in a

dark room, or onto a ground

painted black; a sofa / bench is

recommended.

LORELEÏ ET SON CHIEN

Arthur Fouray,

framed

photomontage,

2012,

78 x 58 x 2 cm.

Notes:

This petit-bourgeois frame suits

any wall colour, and hangs more

than 1.25 m above the floor.

Needless to say, “SKYBLOG

2005” is located in another room.

OH!

Arthur Fouray,

sticker and

painted frame,

2012,

25.5 x 20.5 x 1.5 cm.

Notes:

This object must be placed on

the ceiling. It is the only

constraint imposed by this piece.

P.A.S.

Arthur Fouray,

book on printed canvas,

2012,

27 x 46.5 x 3 cm.

Notes:

This testimonial-sculpture is to

be placed on the floor.

Connection with the video

“P.A.V.” is not necessary.

P.A.V.

Arthur Fouray,

video,

2012,

16/9 format,

dimensions variable,

(14.22 min).

Notes:

The playback medium matters

little for this video. When it is

projected, the pale blue outline

in P.A.V. must be painted on the

wall.

Radis

Arthur Fouray,

metal tube on

frame,

2012,

20.5 x 26.5 x 68.5 cm.

Notes:

The frame mimics a plinth, so

this piece is best shown on the

floor.

SKYBLOG 2005

Arthur Fouray,

print in a

Migros frame,

2012,

21 x 29.7 x 1 cm.

Notes:

This piece must be stripped of its

obviousness, and hidden far

from “LORELEÏ ET SON CHIEN”.

1/2 Agnès Martin

Arthur Fouray,

acrylic on canvas,

2012,

76.4 x 76.4 x 2.5 cm.

Notes:

The best conditions for this

canvas to be fully appreciated

are met when it is hung at eye

level, and is more than one size

away from the other pieces.

BLOB

Arthur Fouray,

resin on

wooden board,

2012,

27 x 20 x 4.5 cm.

Notes:

The “BLOB” is a wall piece.

KAC PACK

Arthur Fouray,

sugar pyramid

and rabbit,

2012,

28 x 28 x 28 cm.

Notes:

As the pyramid acts as a plinth, it

is absolutely necessary to place

this piece directly on the floor.

## Structured data

```json
{
 "@context": "https://schema.org",
 "@graph": [
  {
   "@type": "BreadcrumbList",
   "@id": "https://arthurfouray.systems/pplus-n#breadcrumb",
   "itemListElement": [
    {
     "@type": "ListItem",
     "position": 1,
     "name": "Arthur Fouray Systems",
     "item": "https://arthurfouray.systems/"
    },
    {
     "@type": "ListItem",
     "position": 2,
     "name": "P+",
     "item": "https://arthurfouray.systems/pplus"
    },
    {
     "@type": "ListItem",
     "position": 3,
     "name": "pplus N",
     "item": "https://arthurfouray.systems/pplus-n"
    }
   ]
  },
  {
   "@type": "CreativeWork",
   "@id": "https://arthurfouray.systems/pplus-n#webpage",
   "url": "https://arthurfouray.systems/pplus-n",
   "name": "pplus N",
   "description": "P+N Nulla, 2012: Cartels à Jouer, 37 playing cards in which wall labels are drawn as paintings and paintings written as labels, the origin of P+.",
   "inLanguage": "en",
   "isPartOf": {
    "@id": "https://arthurfouray.systems/#website"
   },
   "breadcrumb": {
    "@id": "https://arthurfouray.systems/pplus-n#breadcrumb"
   },
   "creator": {
    "@id": "https://arthurfouray.systems/#arthur-fouray"
   },
   "license": "https://creativecommons.org/licenses/by-nc-nd/4.0/",
   "dateCreated": "2012"
  }
 ]
}
```