--- title: "Relations" description: "Relations maps how the works, projects and pages of Arthur Fouray Systems refer to one another: the people, places, series and words they share." canonical: https://arthurfouray.systems/relations type: WebPage year: 1991 updated: "2026-09-26T17:43:45+00:00" license: https://creativecommons.org/licenses/by-nc-nd/4.0/ --- # Relations Relations Arthur Fouray Relations Before Arts (1) Before Arts , 1991–2011 Pre-Natal (5) A Painting on the Wall , 2012 Missing Information Baby , 2013 RENENS Master of Arts HES-SO in Fine Arts (inferred) “diploma l’elac Renens, Switzerland 2013”; “Diploma écal Renens, Switzerland 2015” — Master of Arts HES-SO in Fine Arts . Why inferred: two diplomas in Renens; ‘l’elac’ read as écal reversed. Camp-Views Pre Natal Phase , 2013 THROUGH NICOLAS DEGRANGE BOOM “Group show with Paul Limoujoux and Nicolas Degrange”; “Nicolas Degrange” — BOOM A+O− (3) A+O− Entourage , 2014 BABY BLUE Accrochage Vaud (inferred) “‘Baby Blue Cocktail’”; “MC (Baby blue) 2016 acrylic, cotton–duck, ladder” — Accrochage Vaud . Why inferred: a shared colour name; neither page mentions the other. THROUGH JULIEN GREMAUD M “on an invitation by Julien Gremaud, Think Tank”; “388 pages 2015 Publisher: Micronaut Editor: Julien Gremaud Conception: Arthur Fouray” — M Objects mmm (3) M , 2015 DECOMPOSES INTO Art Hur Fou Ray “Décomposition des quatre syllabes de mon prénom et de mon nom de famille” INCLUDES Synallagma Show “Synallagma Show Exposition collective Quark Genève, Suisse 2014” INCLUDES Life is a Bed of Roses (un roman) “Life is a Bed of Roses Exposition collective Fondation Ricard Paris, France 2015” INCLUDES Master of Arts HES-SO in Fine Arts “Master en Arts Hes-So en Arts Visuels Diplôme écal Renens, Suisse 2015” SAME TYPEFACES P+ “FRANKLIN GOTHIC EXTRA COND (LAWRENCE WEINER)” · “BARBEDOR COM BOLD (MOUSSE MAGAZINE)” · “STENCIL LT (LEO CASTELLI - ILEANA SONNABEND)”; “Franklin Gothic extra Condensed Shows” · “BARBEDOR STD BOLD Relations” · “Stencil LT Contexts” — P+ SPOKEN INTO A PHONE rt4a (inferred) “J’ai dicté à mon iPhone” ; “transcribed vocally on a phone, in 2014” — rt4a . Why inferred: both describe words dictated into a phone; neither page names the other. NINE PHOTOGRAPHS MM (inferred) “9 Photographs”; “MM 2016 Series of 9 photographs” — MM . Why inferred: the same count and the mmm family of titles; MM’s page does not mention M. Artarre to Art Arter Kunsten MM , 2016 Arthur Fouray (17) Synallagma Show , 2014 SAME SPACE, SAME CURATOR Spectre “Espace Quark Geneva, Switzerland 2014 Curator Elisa Langlois”; “Solo Show Quark Geneva, Switzerland 12.11—21.12.2015 Curator Elisa Langlois” — Spectre SHOWS #aaafff “#aaafff (B.A.A.) 2014” THROUGH PHILIPPE DECRAUZAT Rob a Robe “Philippe Decrauzat”; “Philippe Decrauzat” — Rob a Robe #aaafff , 2014–2017 Osmosis , 2015 SHOWS #aaafff “#aaafff (cendrier)” Spectre , 2015 IS LIKE #aaafff “Like the #aaafff series, these artworks are monochromatic” SHOWS #000fff “With #000fff PolyVision, Spectre introduces an exception” THROUGH ANDY WARHOL rt4a “Andy alludes to Warhol’s Silver Clouds”; “Matching the character count of Warhol’s name” — rt4a Master of Arts HES-SO in Fine Arts , 2015 SHOWS #aaafff “#aaafff (STUDIO MODERNES)” SAME ECAL MASTER Ending Explained “Master of Arts HES-SO in Fine Arts Diploma écal Renens, Switzerland 2015”; “ECAL Master of Arts HES-SO in Fine Arts” — Ending Explained Life is a Bed of Roses (un roman) , 2015 SHOWS #aaafff “#aaafff (Mach 6)” BOOM , 2015 SHOWS #aaafff “#aaafff (Mur Grec)” THROUGH NICOLAS DEGRANGE Suite “Nicolas Degrange”; “Suite Nicolas Degrange 23.04—15.05.2016 Organised by Silicon IVIalley” — Suite Art Hur Fou Ray SPELLS #aaafff “Art Hur Fou Ray m ART#AAA mm HUR FFF FOU#000 RAY FFF” SPELLS #000fff “Art Hur Fou Ray m ART#AAA mm HUR FFF FOU#000 RAY FFF” LINKS TO Biography , #aaafff , #000fff , Curriculum Vitae #000fff Frédéric Gabioud, Arthur Fouray, Baker Wardlaw , 2016 SAME GALLERY 3 years, smart move “Three Person Show Joy de Rouvre Geneva”; “Group Show Galerie Joy de Rouvre Geneva” — 3 years, smart move SHOWS #aaafff “#aaafff (CAR)” THROUGH FRÉDÉRIC GABIOUD Rob a Robe “Frédéric Gabioud, Arthur Fouray, Baker Wardlaw”; “Frédéric Gabioud” — Rob a Robe Kiefer Hablitzel Prize , 2016 SHOWS #aaafff “#aaafff (autruche)” SHOWS #000fff “#000fff (univision) (Kasimir I)” MOREL P+I Drawings (inferred) “Morel (P.A.S., C.B.S.F.T.) 2016”; “'The Invention of Morel' (1940) by Adolfo Bioy Casares” — P+I Drawings . Why inferred: the same name; neither page names the other. Les lèvres nues , 2016 SHOWS #aaafff “Lauren (#aaafff) 2016 acrylic, cotton–duck, bed base” THROUGH CÉSAR CHEVALIER, NOÉMIE VULPIAN Cluster “CURATORS César Chevalier Noémie Vulpian”; “Cluster César Chevalier Noémie Vulpian 10.12.2016—14.01.2017 Organised by Silicon IVIalley” — Cluster Accrochage Vaud , 2016 2080 , 2017 SHOWS #000fff “#000fff (Natural Vision) (IFP)” SHARES MARIENBAD SCREEN “Last Year at Marienbad”; “‘L’Année dernière à Marienbad’” — SCREEN THROUGH ALFREDO ACETO Welcome to the art world “Alfredo Aceto”; “a friend, Alfredo Aceto, had long promised to exchange or give me a ceramic of his” — Welcome to the art world 3 years, smart move , 2017 SHOWS #000fff “#000fff (4:3)” SAME GALLERY Greffes “Galerie Joy de Rouvre”; “courtesy of Gaudel de Stampa & Galerie Joy de Rouvre” — Greffes Caravan , 2017 SHOWS #aaafff “Torres (Pyrrole) is preceded by a work from the #aaafff series” Greffes , 2017 SHOWS #aaafff “senza titolo / (X5m4mjB-1) (#aaafff) 2017” SCREEN (1) SCREEN , 2017 IS BASED ON Spectre “SCREEN Based on a true story : Spectre” Silicon Malley (9) CCI , 2015 NEXT AT SILICON MALLEY Guitare, Tanpura et Tabla électronique “Myriam Stamoulis 21h 16.05.2015 Organised by Silicon IVIalley” — Guitare, Tanpura et Tabla électronique Guitare, Tanpura et Tabla électronique , 2015 NEXT AT SILICON MALLEY 1 (Robin Lebey) “1 Robin Lebey 30.05—21.06.2015 Organised by Silicon IVIalley” — 1 (Robin Lebey) 1 (Robin Lebey) , 2015 NEXT AT SILICON MALLEY Suite “Suite Nicolas Degrange 23.04—15.05.2016 Organised by Silicon IVIalley” — Suite Suite , 2016 NEXT AT SILICON MALLEY Cluster “Cluster César Chevalier Noémie Vulpian 10.12.2016—14.01.2017 Organised by Silicon IVIalley” — Cluster Cluster , 2016 NEXT AT SILICON MALLEY free time “free time Demelza Watts 01.04—23.04.2017 Organised by Silicon IVIalley” — free time free time , 2017 NEXT AT SILICON MALLEY BREAK (FEAST) “BREAK (FEAST) Lauren Coullard 15.09—12.11.2017 Organised by Silicon IVIalley” — BREAK (FEAST) BREAK (FEAST) , 2017 CONTINUES They Hover over Me “I organised her first solo show, BREAK (FEAST) , 2017, at Silicon Malley” — They Hover over Me NEXT AT SILICON MALLEY On Italian Museography “EPFL Studio Master I organised with Silicon IVIalley” — On Italian Museography On Italian Museography , 2018 NEXT AT SILICON MALLEY Demands & Supplies “Matthieu Laurette 24.08—20.09.2020 Organised by Silicon IVIalley” — Demands & Supplies Demands & Supplies , 2020 DOC! (9) Guitars , 2016 THROUGH CORENTIN CANESSON Road Rage “Corentin Canesson”; “Organised by Corentin Canesson, Arthur Fouray & Eva Vaslamatzi” — Road Rage Rob a Robe , 2016 THROUGH LAUREN COULLARD BREAK (FEAST) “Lauren Coullard”; “BREAK (FEAST) Lauren Coullard 15.09—12.11.2017 Organised by Silicon IVIalley” — BREAK (FEAST) THROUGH DEMELZA WATTS free time “Demelza Watts”; “free time Demelza Watts 01.04—23.04.2017 Organised by Silicon IVIalley” — free time THROUGH DOMINIQUE GONZALEZ-FOERSTER Pierre Joseph “Dominique Gonzalez-Foerster”; “Dominique Gonzalez-Foerster” — Pierre Joseph Road Rage , 2017 SHARED ORGANISERS La Nuit juste avant les forêts “Organised by Corentin Canesson, Arthur Fouray & Eva Vaslamatzi”; “Organised by Corentin Canesson, Lucas Erin, Arthur Fouray & Eva Vaslamatzi” — La Nuit juste avant les forêts THROUGH KIM FARKAS Tournures “Kim Farkas”; “Grichka Commaret Kim Farkas” — Tournures La Nuit juste avant les forêts , 2017 SHARED ORGANISERS Tournures “Programme directed by Corentin Canesson, Arthur Fouray & Eva Vaslamatzi” — Tournures THROUGH MATTHEW LUTZ-KINOY Hans Ulrich Obrist Archives Chapter 1: Édouard Glissant, LUMA Westbau “Matthew Lutz-Kinoy”; “Matthew Lutz-Kinoy” — Hans Ulrich Obrist Archives Chapter 1: Édouard Glissant, LUMA Westbau THROUGH MATTHEW LUTZ-KINOY Plates “during a 2022 trip with Matthew Lutz-Kinoy” — Plates THROUGH MATTHEW LUTZ-KINOY Bowls “during a 2022 trip with Matthew Lutz-Kinoy” — Bowls THROUGH MATTHEW LUTZ-KINOY Small Bowls “during a 2022 trip with Matthew Lutz-Kinoy” — Small Bowls So Leggere , 2017 Tournures , 2018 Ending Explained , 2018 Pierre Joseph , 2018 THROUGH PHILIPPE PARRENO Hans Ulrich Obrist Archives Chapter 1: Édouard Glissant, LUMA Westbau “Philippe Parreno”; “Philippe Parreno” — Hans Ulrich Obrist Archives Chapter 1: Édouard Glissant, LUMA Westbau They Hover over Me , 2025 LUMA (9) Hans Ulrich Obrist Archives Chapter 1: Édouard Glissant, LUMA Arles , 2021 NEXT CHAPTER Hans Ulrich Obrist Archives Chapter 2: Etel Adnan, LUMA Arles “Hans Ulrich Obrist Archives Chapter 2: Etel Adnan” — Hans Ulrich Obrist Archives Chapter 2: Etel Adnan, LUMA Arles SAME CHAPTER Hans Ulrich Obrist Archives Chapter 1: Édouard Glissant, LUMA Westbau “Hans Ulrich Obrist Archives Chapter 1: Édouard Glissant”; “Hans Ulrich Obrist Archives Chapter 1: Édouard Glissant” — Hans Ulrich Obrist Archives Chapter 1: Édouard Glissant, LUMA Westbau Hans Ulrich Obrist Archives Chapter 2: Etel Adnan, LUMA Arles , 2022 THROUGH ETEL ADNAN, SIMONE FATTAL They Hover over Me “Etel Adnan Simone Fattal”; “a quotation by Simone Fattal about Etel Adnan’s works” — They Hover over Me NEXT CHAPTER Hans Ulrich Obrist Archives Chapter 3: Agnès Varda, LUMA Arles “Hans Ulrich Obrist Archives Chapter 3: Agnès Varda” — Hans Ulrich Obrist Archives Chapter 3: Agnès Varda, LUMA Arles Hans Ulrich Obrist Archives Chapter 3: Agnès Varda, LUMA Arles , 2023 NEXT CHAPTER Hans Ulrich Obrist Archives Chapter 4: Gustav Metzger, LUMA Arles “Hans Ulrich Obrist Archives Chapter 4: Gustav Metzger” — Hans Ulrich Obrist Archives Chapter 4: Gustav Metzger, LUMA Arles Hans Ulrich Obrist Archives Chapter 1: Édouard Glissant, LUMA Westbau , 2023 Hans Ulrich Obrist Archives Chapter 4: Gustav Metzger, LUMA Arles , 2024 NEXT CHAPTER Hans Ulrich Obrist Archives Chapter 5: Maria Lassnig, LUMA Arles “Hans Ulrich Obrist Archives Chapter 5: Maria Lassnig” — Hans Ulrich Obrist Archives Chapter 5: Maria Lassnig, LUMA Arles SAME CHAPTER Hans Ulrich Obrist Archives: Gustav Metzger, LUMA Westbau “Hans Ulrich Obrist Archives Chapter 4: Gustav Metzger”; “Hans Ulrich Obrist Archives: Gustav Metzger” — Hans Ulrich Obrist Archives: Gustav Metzger, LUMA Westbau Hans Ulrich Obrist Archives Chapter 5: Maria Lassnig, LUMA Arles , 2025 NEXT CHAPTER Hans Ulrich Obrist Archives Chapter 6: Zaha Hadid, LUMA Arles “Hans Ulrich Obrist Archives Chapter 6: Zaha Hadid” — Hans Ulrich Obrist Archives Chapter 6: Zaha Hadid, LUMA Arles SAME CHAPTER Hans Ulrich Obrist Archives: Maria Lassnig, LUMA Westbau “Hans Ulrich Obrist Archives Chapter 5: Maria Lassnig”; “Hans Ulrich Obrist Archives: Maria Lassnig” — Hans Ulrich Obrist Archives: Maria Lassnig, LUMA Westbau Hans Ulrich Obrist Archives: Gustav Metzger, LUMA Westbau , 2025 Hans Ulrich Obrist Archives Chapter 6: Zaha Hadid, LUMA Arles , 2026 Hans Ulrich Obrist Archives: Maria Lassnig, LUMA Westbau , 2026 Music (12) godart, Unreleased 2008–2014 , 2008–2014 (released 2025) INCLUDES We Are the Extraterrestrials “We Are the Extraterrestrials [2009]” INCLUDES Monsters “Monsters [2009]” INCLUDES To Japan “To Japan [2010]” INCLUDES Galeries “Galeries [2012]” INCLUDES Ecco Beach (a + o -) “Ecco Beach (a + o -) [2013]” We Are the Extraterrestrials , 2009 (released 2025) Monsters , 2009 (released 2025) To Japan , 2010 (released 2025) Galeries , 2012 (released 2025) AIR DE PARIS Pierre Joseph (inferred) “Air de Paris, dix-huit heures cinquante” ; “the now-historical inaugural exhibition held at Air de Paris in Nice in 1990” — Pierre Joseph . Why inferred: both name the gallery Air de Paris; neither page names the other. Ecco Beach (a + o -) , 2013 (released 2025) NAMES A+O− “Ecco Beach (a + o -)” Accelerate , 2022 Beware of Curator - Smithson Cultural Confinement , 2022 This is not a Tender World , 2022 Chiquito , 2022 Nikolai Rimsky-Korsakov, Scheherazade Op. 35, Wendy Version , 2025 SAME SCORE Nikolai Rimsky-Korsakov, Scheherazade Op. 35, Half-Speed Version “Scheherazade, Op. 35: I. The Sea and Sinbad's Ship”; “Scheherazade, Op. 35: I. The Sea and Sinbad's Ship” — Nikolai Rimsky-Korsakov, Scheherazade Op. 35, Half-Speed Version Nikolai Rimsky-Korsakov, Scheherazade Op. 35, Half-Speed Version , 2025 rt4a (21) rt4a Museum - Fraser Official Welcome , 2021 Beware of Curator - Smithson Cultural Confinement , 2021 SOUNDS AS Beware of Curator - Smithson Cultural Confinement “Audio rt4a, Beware of Curator - Smithson Cultural Confinement, 2022” BEWARE OF P+I Drawings (inferred) “Beware of Curator”; “Beware of artist(s)” — P+I Drawings . Why inferred: a shared phrase only. This Is Not A Tender World , 2021 SOUNDS AS This is not a Tender World “Audio rt4a, This Is Not A Tender World, 2022” Chiquito , 2021 SOUNDS AS Chiquito “Audio rt4a, Chiquito, 2022” Accelerate , 2022 SOUNDS AS Accelerate “Audio rt4a, Accelerate, 2022” At the dawn of the XXIst Century , 2022 BORROWS THE COLOUR OF #aaafff “borrowing the same colour code as the #aaafff painting series (2014–2017)” Barcode Signature ID , 2022 Call , 2022 Conservatism kills , 2022 Dunno , 2022 Duty , 2022 THROUGH MARCEL DUCHAMP Curriculum Vitae “the Self-Portrait in Profile by Marcel Duchamp (1957)”; “Inspired by Duchamp's La Boîte verte (1934)” — Curriculum Vitae Foundation , 2022 IDEA , 2022 Lutz , 2022 MLK P+II MLK40 (inferred) “a friend called ‘Lutz’ (MLK)”; “P+II MLK40 2024” — P+II MLK40 . Why inferred: the same three letters; P+II does not explain MLK40. ScandalE Drama , 2022 Toxic Masculinity , 2022 Plates , 2022–2023 MMM M (inferred) “Mmm 2022-2023, Ceramic”. Why inferred: a plate titled Mmm; the page does not refer to M or to mmm. FEAST BREAK (FEAST) (inferred) “Feast 2022-2023, Ceramic”. Why inferred: a plate titled Feast; a shared word only. Bowls , 2022–2023 Small Bowls , 2022–2023 Welcome to the art world , 2023 P+ (4) P+ , 2024–present INCLUDES P+I Drawings “P+I Drawings” INCLUDES P+II MLK40 “P+II MLK40” INCLUDES P+III HUO25 “P+III HUO25” P+I Drawings , 2024 P+II MLK40 , 2024 P+III HUO25 , 2025 HUO25 Hans Ulrich Obrist Archives Chapter 5: Maria Lassnig, LUMA Arles (inferred) “P+III HUO25 2025”. Why inferred: HUO read as Hans Ulrich Obrist and 25 as 2025; the page gives no key. Biography and curriculum vitae (3) Biography EXPLAINS #000fff “In 000fff, each work takes the name of a historical widescreen film process — Polyvision, Univision, Natural Vision, Magnifilm, Veriscope” IN CHARGE OF Hans Ulrich Obrist Archives Chapter 1: Édouard Glissant, LUMA Arles “he is in charge of the Hans Ulrich Obrist Archives” LINKS TO Chronology Chronology EXPLAINS Spectre “The painting made for it, 000fff (Polyvision) (Spectre), takes its name from Abel Gance’s three-screen process for Napoléon” LINKS TO Curriculum Vitae , Before Arts , A Painting on the Wall , #aaafff , Entourage , M , Spectre , Osmosis , Life is a Bed of Roses (un roman) , BOOM , CCI , Kiefer Hablitzel Prize , Accrochage Vaud , Les lèvres nues , Rob a Robe , Caravan , 2080 , SCREEN , Greffes , Road Rage , Ending Explained , Pierre Joseph , Demands & Supplies , Hans Ulrich Obrist Archives Chapter 1: Édouard Glissant, LUMA Arles , Hans Ulrich Obrist Archives Chapter 2: Etel Adnan, LUMA Arles , Hans Ulrich Obrist Archives Chapter 3: Agnès Varda, LUMA Arles , Hans Ulrich Obrist Archives Chapter 4: Gustav Metzger, LUMA Arles , P+ , Hans Ulrich Obrist Archives Chapter 5: Maria Lassnig, LUMA Arles , They Hover over Me , Hans Ulrich Obrist Archives Chapter 6: Zaha Hadid, LUMA Arles , Hans Ulrich Obrist Archives: Maria Lassnig, LUMA Westbau , Biography Curriculum Vitae LISTS P+ “P+, 2024–present Associative system comprising 620 physical and digital cards” LISTS rt4a “rt4a, 2022–present Sound, music and image-based practice” LISTS Caravan “Caravan, 2017 Curated by Yasmin Afschar and Katrin Weilenmann, Aargauer Kunsthaus, Aarau” LISTS Spectre “Spectre, 2015 Curated by Elisa Langlois, Espace Quark, Geneva” LISTS SCREEN “SCREEN, 2017 Tombolo Presses, Nevers” LISTS M “M, 2015 Julien Gremaud, Vevey, Switzerland; Micronaut #8; 388 pages” LISTS Les lèvres nues “Les lèvres nues, 2016 A proposal by Noémie Vulpian and Jarry, DOC!, Paris” LISTS Life is a Bed of Roses (un roman) “Life is a Bed of Roses (un roman), 27 May–4 July 2015 Conceived by Stéphanie Moisdon, Fondation d’Entreprise Ricard” LISTS BOOM “Boom, 2015 ECAL, Renens, Switzerland” LISTS Kiefer Hablitzel Prize “Kiefer Hablitzel Prize (nominee), 2016 Swiss Art Awards, Basel” LISTS Accrochage Vaud “Accrochage Vaud, 2016 MCBA, Lausanne” LISTS Hans Ulrich Obrist Archives Chapter 1: Édouard Glissant, LUMA Westbau “Co-curated by Hans Ulrich Obrist and Arthur Fouray” LISTS Osmosis “Osmosis, 2015 La Placette, Lausanne, Switzerland” LISTS 2080 “2080 (MMLXXX), 2017 ZQM, Berlin, Germany” Notions (18) OBJECT-PAINTING IN Spectre “The ‘object-paintings’ series features Andy and Kasimir as its focal points” AND IN BOOM (inferred) “Kasimir (Rose Pâle) 2014”. Why inferred: a Kasimir work, not called an object-painting on its page. AND IN Master of Arts HES-SO in Fine Arts (inferred) “Andy IV 2014”. Why inferred: an Andy work, not called an object-painting on its page. AND IN Osmosis (inferred) “Kasimir (Ciel)”. Why inferred: a Kasimir work, not called an object-painting on its page. MONOCHROME IN Caravan “as well as monochrome painting” AND IN #aaafff “the monochromatic expanse transforms into a dynamic interface” AND IN Spectre “his dedication to monochromatic painting” LABEL IN Pre Natal Phase “such as explanatory panels and labels, became integral to this research” AND IN Pierre Joseph “He hijacks the keywords and labels” INTERFACE IN SCREEN “designed as an interface and ambience” AND IN Caravan “literally at the interface of interior and exterior space” AND IN #aaafff “the monochromatic expanse transforms into a dynamic interface” AND IN Curriculum Vitae “conceived as a dynamic and interface-driven book” CHROMA KEY IN 3 years, smart move “chroma key paint” AND IN Kiefer Hablitzel Prize “#000fff (univision) (Kasimir I) 2016 Chroma key blue, wallpainting” AND IN Spectre “#000fff (polyvision) (Spectre) 2015 Chroma key blue, wallpainting” TYPEFACE IN M “(716 posts - 9 Photographs - 4 Verbs - 1 Book - 1 Typeface)” AND IN P+ “Franklin Gothic extra Condensed Shows” AND IN SCREEN “21 silkscreens printed at Doc! composed in Franklin Gothic std” AND IN Conservatism kills “coupled with the Helvetica typeface” AND IN Dunno “his iconic use of the typeface Univers 85” VERB IN M “4 Verbs” ACRONYM IN rt4a “Through the use of an impersonal acronym, rt4a embraces” AND IN P+ “P+ serves as an acronym for Projects Prospects Possibilities +” SIGNATURE IN rt4a “As a signature, it embodies a paradox” AND IN Barcode Signature ID “Barcode Signature Id 01 2022 Resin, plaster” SENTENCE IN Pre Natal Phase “they form compelling ‘sentences’ or narratives when grouped or curated together” CONVERSATION IN A+O− “engage the viewer in a conversation about pop culture” AND IN So Leggere “contribute to a conversation around the uncertain future” UTOPIA IN P+ “a representation, a utopia, or a dystopia” WHITE CUBE IN Pre Natal Phase “traditional exhibition spaces, like the ‘white cube’, emerged as critical platforms” AND IN P+I Drawings “A train, arranged as a white cube” CERAMIC IN Plates “Mmm 2022-2023, Ceramic” AND IN Bowls “Agreable 2022-2023, Ceramic” AND IN Small Bowls “Go 2022-2023, Ceramic” AND IN Welcome to the art world “a ceramic of his” ARCHIVE IN Before Arts “Archives: 386 images (188 Drawings - 48 Digital Media - 34 Photographs” AND IN Hans Ulrich Obrist Archives Chapter 1: Édouard Glissant, LUMA Arles “Hans Ulrich Obrist Archives Chapter 1: Édouard Glissant” AND IN Curriculum Vitae “It constitutes an active archive of an entire production since the age of one” CURATOR IN Biography “is an artist and curator whose practice explores the systems of narration, production, and distribution of art” AND IN A Painting on the Wall “explores the foreground/background relationship from a curatorial point of view” AND IN Beware of Curator - Smithson Cultural Confinement “Cultural confinement takes place when a curator imposes his own limits on an art exhibition” AND IN A+O− “is a collaborative curatorial practice, observing objects as its primary focus” AND IN Curriculum Vitae “Current position: Archivist & Curator at LUMA Arles” RUMOUR IN #aaafff “a cognitive interplay akin to a whisper or rumour” CARD IN P+ “then generates collections of cards on the website arthurfouray.systems, which serve as a template for real physical playing cards” Move through the map by dragging, scrolling, with the arrow keys or by touch. Each word opens its page; the same relations are listed below. Relations follows how the works, projects and pages of this site refer to one another: the people, places and series they share, what one shows of another, and the words that recur between them. Every relation is quoted from the site or from the curriculum vitae. A relation marked (inferred) was read from a shared word, name or number that the pages do not connect themselves; the map draws it dashed. The title comes from P+ , where each family has its typeface: “BARBEDOR STD BOLD Relations”. Continue with the Curriculum Vitae for the formal record, the Biography for a narrative account, the Chronology for the years in order, or the Index for the complete site structure. ## Related pages - [Before Arts](https://arthurfouray.systems/before-arts) - [Pre-Natal](https://arthurfouray.systems/pre-natal) - [A Painting on the Wall](https://arthurfouray.systems/a-painting-on-the-wall) - [Missing Information](https://arthurfouray.systems/missing-information) - [Baby](https://arthurfouray.systems/baby) - [Master of Arts HES-SO in Fine Arts](https://arthurfouray.systems/arthur-fouray-master-hes-so-in-fine-arts) - [Camp-Views](https://arthurfouray.systems/camp-views) - [Pre Natal Phase](https://arthurfouray.systems/pre-natal-phase) - [BOOM](https://arthurfouray.systems/arthur-fouray-boom) - [A+O−](https://arthurfouray.systems/a-plus-o-minus) - [Entourage](https://arthurfouray.systems/a-plus-o-minus-entourage) - [Accrochage Vaud](https://arthurfouray.systems/arthur-fouray-accrochage-vaud) - [M](https://arthurfouray.systems/m) - [Objects](https://arthurfouray.systems/a-plus-o-minus-objects) - [mmm](https://arthurfouray.systems/mmm) - [Art Hur Fou Ray](https://arthurfouray.systems/art-hur-fou-ray) - [Synallagma Show](https://arthurfouray.systems/arthur-fouray-synallagma-show) - [Life is a Bed of Roses (un roman)](https://arthurfouray.systems/arthur-fouray-life-is-a-bed-of-roses,-(un-roman)) - [P+](https://arthurfouray.systems/pplus) - [rt4a](https://arthurfouray.systems/rt4a) - [MM](https://arthurfouray.systems/mm) - [Artarre to Art Arter Kunsten](https://arthurfouray.systems/artarre-to-art-arter-kunsten) - [Arthur Fouray](https://arthurfouray.systems/arthur-fouray) - [Spectre](https://arthurfouray.systems/arthur-fouray-spectre) - [#aaafff](https://arthurfouray.systems/arthur-fouray-aaafff) - [Rob a Robe](https://arthurfouray.systems/exhibition-making-doc-rob-a-robe) - [Osmosis](https://arthurfouray.systems/arthur-fouray-osmosis-lauren-(azur)-kasimir-(ciel)-morris-(saphir)-aaafff-(cendrier)) - [#000fff](https://arthurfouray.systems/arthur-fouray-000fff) - [Ending Explained](https://arthurfouray.systems/exhibition-making-doc-ecal-ending-explained) - [Suite](https://arthurfouray.systems/exhibition-making-silicon-malley-nicolas-degrange-suite) - [Biography](https://arthurfouray.systems/biography) - [Curriculum Vitae](https://arthurfouray.systems/curriculum-vitae) - [Frédéric Gabioud, Arthur Fouray, Baker Wardlaw](https://arthurfouray.systems/frederic-gabioud-arthur-fouray-baker-wardlaw) - [3 years, smart move](https://arthurfouray.systems/arthur-fouray-3-years,-smart-move) - [Kiefer Hablitzel Prize](https://arthurfouray.systems/arthur-fouray-kiefer-hablitzel-prize) - [P+I Drawings](https://arthurfouray.systems/pplus-i) - [Les lèvres nues](https://arthurfouray.systems/arthur-fouray-les-levres-nues) - [Cluster](https://arthurfouray.systems/exhibition-making-silicon-malley-cesar-chevalier-noemie-vulpian-cluster) - [2080](https://arthurfouray.systems/arthur-fouray-2080) - [SCREEN](https://arthurfouray.systems/screen) - [Welcome to the art world](https://arthurfouray.systems/rt4a-welcome-to-the-art-world) - [Greffes](https://arthurfouray.systems/arthur-fouray-greffes) - [Caravan](https://arthurfouray.systems/arthur-fouray-caravan) - [Silicon Malley](https://arthurfouray.systems/exhibition-making) - [CCI](https://arthurfouray.systems/exhibition-making-silicon-malley-cci) - [Guitare, Tanpura et Tabla électronique](https://arthurfouray.systems/exhibition-making-silicon-malley-myriam-stamoulis-guitare-tanpura-et-tabla-electronique) - [1 (Robin Lebey)](https://arthurfouray.systems/exhibition-making-silicon-malley-robin-lebey-1) - [free time](https://arthurfouray.systems/exhibition-making-silicon-malley-demelza-watts-free-time) - [BREAK (FEAST)](https://arthurfouray.systems/exhibition-making-silicon-malley-lauren-coullard-breakfeast) - [They Hover over Me](https://arthurfouray.systems/exhibition-making-doc-lauren-coullard-they-hover-over-me) - [On Italian Museography](https://arthurfouray.systems/exhibition-making-silicon-malley-on-italian-museography) - [Demands & Supplies](https://arthurfouray.systems/exhibition-making-silicon-malley-matthieu-laurette-demands-supplies) - [Guitars](https://arthurfouray.systems/exhibition-making-doc-francis-baudevin-guitars) - [Road Rage](https://arthurfouray.systems/exhibition-making-doc-christophe-lemaitre-road-rage) - [Pierre Joseph](https://arthurfouray.systems/exhibition-making-doc-pierre-joseph-fondation-vincent-van-gogh-arles) - [La Nuit juste avant les forêts](https://arthurfouray.systems/exhibition-making-doc-la-nuit-juste-avant-les-forets) - [Tournures](https://arthurfouray.systems/exhibition-making-doc-grichka-commaret-kim-farkas-tournures) - [Hans Ulrich Obrist Archives Chapter 1: Édouard Glissant, LUMA Westbau](https://arthurfouray.systems/exhibition-making-luma-westbau-hans-ulrich-obrist-archives-chapter-1-edouard-glissant) - [Plates](https://arthurfouray.systems/rt4a-plates) - [Bowls](https://arthurfouray.systems/rt4a-bowls) - [Small Bowls](https://arthurfouray.systems/rt4a-small-bowls) - [So Leggere](https://arthurfouray.systems/exhibition-making-doc-francesco-cagnin-so-leggere) - [Hans Ulrich Obrist Archives Chapter 1: Édouard Glissant, LUMA Arles](https://arthurfouray.systems/exhibition-making-luma-arles-hans-ulrich-obrist-archives-chapter-1-edouard-glissant) - [Hans Ulrich Obrist Archives Chapter 2: Etel Adnan, LUMA Arles](https://arthurfouray.systems/exhibition-making-luma-arles-hans-ulrich-obrist-archives-chapter-2-etel-adnan) - [Hans Ulrich Obrist Archives Chapter 3: Agnès Varda, LUMA Arles](https://arthurfouray.systems/exhibition-making-luma-arles-hans-ulrich-obrist-archives-chapter-3-agnes-varda) - [Hans Ulrich Obrist Archives Chapter 4: Gustav Metzger, LUMA Arles](https://arthurfouray.systems/exhibition-making-luma-arles-hans-ulrich-obrist-archives-chapter-4-gustav-metzger) - [Hans Ulrich Obrist Archives Chapter 5: Maria Lassnig, LUMA Arles](https://arthurfouray.systems/exhibition-making-luma-arles-hans-ulrich-obrist-archives-chapter-5-maria-lassnig) - [Hans Ulrich Obrist Archives: Gustav Metzger, LUMA Westbau](https://arthurfouray.systems/exhibition-making-luma-westbau-hans-ulrich-obrist-archives-chapter-4-gustav-metzger) - [Hans Ulrich Obrist Archives Chapter 6: Zaha Hadid, LUMA Arles](https://arthurfouray.systems/exhibition-making-luma-arles-hans-ulrich-obrist-archives-chapter-6-zaha-hadid) - [Hans Ulrich Obrist Archives: Maria Lassnig, LUMA Westbau](https://arthurfouray.systems/exhibition-making-luma-westbau-hans-ulrich-obrist-archives-chapter-5-maria-lassnig) - [Music](https://arthurfouray.systems/music) - [godart, Unreleased 2008–2014](https://arthurfouray.systems/music,-rt4a,-godart,-unreleased-2008-2014) - [We Are the Extraterrestrials](https://arthurfouray.systems/music,-rt4a,-we-are-the-extraterrestrials) - [Monsters](https://arthurfouray.systems/music,-rt4a,-monsters) - [To Japan](https://arthurfouray.systems/music,-rt4a,-to-japan) - [Galeries](https://arthurfouray.systems/music,-rt4a,-galeries) - [Ecco Beach (a + o -)](https://arthurfouray.systems/music,-rt4a,-ecco-beach-(a-plus-o-minus)) - [Accelerate](https://arthurfouray.systems/music,-rt4a,-accelerate) - [Beware of Curator - Smithson Cultural Confinement](https://arthurfouray.systems/music,-rt4a,-beware-of-curator-smithson-cultural-confinement) - [This is not a Tender World](https://arthurfouray.systems/music,-rt4a,-this-is-not-a-tender-world) - [Chiquito](https://arthurfouray.systems/music,-rt4a,-chiquito) - [Nikolai Rimsky-Korsakov, Scheherazade Op. 35, Wendy Version](https://arthurfouray.systems/music,-rt4a,-nikolai-rimsky-korsakov-scheherazade-op-35-wendy-version) - [Nikolai Rimsky-Korsakov, Scheherazade Op. 35, Half-Speed Version](https://arthurfouray.systems/music,-rt4a,-nikolai-rimsky-korsakov-scheherazade-op-35-half-speed-version) - [Museum - Fraser Official Welcome](https://arthurfouray.systems/rt4a-museum-fraser-official-welcome) - [Beware of Curator - Smithson Cultural Confinement](https://arthurfouray.systems/rt4a-beware-of-curator-smithson-cultural-confinement) - [This Is Not A Tender World](https://arthurfouray.systems/rt4a-this-is-not-a-tender-world) - [Chiquito](https://arthurfouray.systems/rt4a-chiquito) - [Accelerate](https://arthurfouray.systems/rt4a-accelerate) - [At the dawn of the XXIst Century](https://arthurfouray.systems/rt4a-at-the-dawn-of-the-xxist-century) - [Barcode Signature ID](https://arthurfouray.systems/rt4a-barcode-signature-id) - [Call](https://arthurfouray.systems/rt4a-call) - [Conservatism kills](https://arthurfouray.systems/rt4a-conservatism-kills) - [Dunno](https://arthurfouray.systems/rt4a-dunno) - [Duty](https://arthurfouray.systems/rt4a-duty) - [Foundation](https://arthurfouray.systems/rt4a-foundation) - [IDEA](https://arthurfouray.systems/rt4a-idea) - [Lutz](https://arthurfouray.systems/rt4a-lutz) - [P+II MLK40](https://arthurfouray.systems/pplus-ii) - [ScandalE Drama](https://arthurfouray.systems/rt4a-scandale-drama) - [Toxic Masculinity](https://arthurfouray.systems/rt4a-toxic-masculinity) - [P+III HUO25](https://arthurfouray.systems/pplus-iii) - [Chronology](https://arthurfouray.systems/chronology) - [Index](https://arthurfouray.systems/index) ## Structured data ```json { "@context": "https://schema.org", "@graph": [ { "@type": "WebPage", "@id": "https://arthurfouray.systems/relations#webpage", "url": "https://arthurfouray.systems/relations", "name": "Relations", "description": "How the works, projects and pages of Arthur Fouray Systems refer to one another: shared people, places, series, typefaces and words, each quoted from the site.", "inLanguage": "en", "isPartOf": { "@id": "https://arthurfouray.systems/#website" }, "about": { "@id": "https://arthurfouray.systems/#arthur-fouray" }, "creator": { "@id": "https://arthurfouray.systems/#arthur-fouray" }, "breadcrumb": { "@id": "https://arthurfouray.systems/relations#breadcrumb" }, "hasPart": { "@id": "https://arthurfouray.systems/relations#notions" } }, { "@type": "BreadcrumbList", "@id": "https://arthurfouray.systems/relations#breadcrumb", "itemListElement": [ { "@type": "ListItem", "position": 1, "name": "Arthur Fouray Systems", "item": "https://arthurfouray.systems/" }, { "@type": "ListItem", "position": 2, "name": "Systems", "item": "https://arthurfouray.systems/systems" }, { "@type": "ListItem", "position": 3, "name": "Relations", "item": "https://arthurfouray.systems/relations" } ] }, { "@type": "DefinedTermSet", "@id": "https://arthurfouray.systems/relations#notions", "name": "Relations: notions", "hasDefinedTerm": [ { "@type": "DefinedTerm", "name": "object-painting", "url": "https://arthurfouray.systems/relations#rel-n-object-painting", "subjectOf": "https://arthurfouray.systems/arthur-fouray-spectre" }, { "@type": "DefinedTerm", "name": "monochrome", "url": "https://arthurfouray.systems/relations#rel-n-monochrome", "subjectOf": "https://arthurfouray.systems/arthur-fouray-caravan" }, { "@type": "DefinedTerm", "name": "label", "url": "https://arthurfouray.systems/relations#rel-n-label", "subjectOf": "https://arthurfouray.systems/pre-natal-phase" }, { "@type": "DefinedTerm", "name": "interface", "url": "https://arthurfouray.systems/relations#rel-n-interface", "subjectOf": "https://arthurfouray.systems/screen" }, { "@type": "DefinedTerm", "name": "chroma key", "url": "https://arthurfouray.systems/relations#rel-n-chroma-key", "subjectOf": "https://arthurfouray.systems/arthur-fouray-3-years,-smart-move" }, { "@type": "DefinedTerm", "name": "typeface", "url": "https://arthurfouray.systems/relations#rel-n-typeface", "subjectOf": "https://arthurfouray.systems/m" }, { "@type": "DefinedTerm", "name": "verb", "url": "https://arthurfouray.systems/relations#rel-n-verb", "subjectOf": "https://arthurfouray.systems/m" }, { "@type": "DefinedTerm", "name": "acronym", "url": "https://arthurfouray.systems/relations#rel-n-acronym", "subjectOf": "https://arthurfouray.systems/rt4a" }, { "@type": "DefinedTerm", "name": "signature", "url": "https://arthurfouray.systems/relations#rel-n-signature", "subjectOf": "https://arthurfouray.systems/rt4a" }, { "@type": "DefinedTerm", "name": "sentence", "url": "https://arthurfouray.systems/relations#rel-n-sentence", "subjectOf": "https://arthurfouray.systems/pre-natal-phase" }, { "@type": "DefinedTerm", "name": "conversation", "url": "https://arthurfouray.systems/relations#rel-n-conversation", "subjectOf": "https://arthurfouray.systems/a-plus-o-minus" }, { "@type": "DefinedTerm", "name": "utopia", "url": "https://arthurfouray.systems/relations#rel-n-utopia", "subjectOf": "https://arthurfouray.systems/pplus" }, { "@type": "DefinedTerm", "name": "white cube", "url": "https://arthurfouray.systems/relations#rel-n-white-cube", "subjectOf": "https://arthurfouray.systems/pre-natal-phase" }, { "@type": "DefinedTerm", "name": "ceramic", "url": "https://arthurfouray.systems/relations#rel-n-ceramic", "subjectOf": "https://arthurfouray.systems/rt4a-plates" }, { "@type": "DefinedTerm", "name": "archive", "url": "https://arthurfouray.systems/relations#rel-n-archive", "subjectOf": "https://arthurfouray.systems/before-arts" }, { "@type": "DefinedTerm", "name": "curator", "url": "https://arthurfouray.systems/relations#rel-n-curator", "subjectOf": "https://arthurfouray.systems/biography" }, { "@type": "DefinedTerm", "name": "rumour", "url": "https://arthurfouray.systems/relations#rel-n-rumour", "subjectOf": "https://arthurfouray.systems/arthur-fouray-aaafff" }, { "@type": "DefinedTerm", "name": "card", "url": "https://arthurfouray.systems/relations#rel-n-card", "subjectOf": "https://arthurfouray.systems/pplus" } ] } ] } ```