Systems: cards, 3217 to 3264
3970 cards
- 044 WATER YAM
George Brecht, Table – 3/3 (glasses, a puzzle and smoking).
TABLE • on a white table glasses, a puzzle and ( having to do with smoking )
P+ VI - 158 GOLDEN
Bone Black
Acrylics Heavy Body
P+ V - 001 MLK40
P+ II - 025 MLK40
P+ II - 012 Drawing
P+ I - 064 Drawing
P+ I - 048 GR33C3
P+ VIII - 031 LASCAUX
Cadmium red light
Acrylics Artist
P+ IV - 013 LABEL
FAUX PLAFOND
Notes:
The rosette should appear on an
azure/sea-blue background. The
wall must be painted with scotch
tape on the left and right, starting
at the floor. The wall painting
stops at the highest point the
painter can reach. Paint is
applied with a roller.P+ N - 148 GR33C3
P+ VIII - 044 Space
A 100 m³ windowless room bathed in dark turquoise blue light; a pedestal at the centre showcases a 1998 Bondi Blue iMac G3 with a red screen, broadcasting local radio news.
P+ I - 049 WATER YAM
George Brecht, Three Chair Events, Spring, 1961.
THREE CHAIR EVENTS • Sitting on a black chair Occurrence. • Yellow chair. ( Occurrence. ) • On (or near) a white chair. Occurrence. Spring, 1961 G. Brecht
P+ VI - 022 WATER YAM
George Brecht, Mallard Milk. Text: Dick Higgins.
MALLARD MILK Text: Dick Higgins Counting. Summer. Winter. Summer. Milkmaids counting. Spring fall. Spring winter summer spring.
P+ VI - 087 Drawing
P+ I - 033 HUO25
P+ III - 080 MLK40
P+ II - 118 Drawing
P+ I - 070 ROUGE NOIR
GRISAILLE
P+ VII - 124 MLK40
P+ II - 144 GOLDEN
Burnt Sienna
Acrylics Heavy Body
P+ V - 037 Relation
Instead of opening art contexts during the day, open them only at night and add couches, chairs and stools inside the gallery spaces.
P+ I - 074 MLK40
P+ II - 025 LASCAUX
Pyrrole orange
Acrylics Artist
P+ IV - 006 Object
An encyclopaedia created from impassioned discussions with plants.
P+ I - 169 MLK40
P+ II - 010 GR33C3
P+ VIII - 061 ROUGE NOIR
George 5
P+ VII - 073 GR33C3
P+ VIII - 028 MLK40
P+ II - 047 Instruction
Write a travel guide about an exhibition space, detailing a tour that describes the lighting, power outlets, windows and scratches on the walls as if they were monuments.
P+ I - 090 ROUGE NOIR
Anaïs
P+ VII - 079 LASCAUX
Cadmium green medium
Acrylics Artist
P+ IV - 038 WATER YAM
George Brecht, String Quartet, 1962.
STRING QUARTET • shaking hands G. Brecht 1962
P+ VI - 200 HUO25
P+ III - 006 HUO25
P+ III - 059 WATER YAM
George Brecht, Time-Table Music, Summer, 1959.
TIME-TABLE MUSIC For performance in a railway station. The performers enter a railway station and obtain time-tables. They stand or seat themselves so as to be visible to each other, and, when ready, start their stopwatches simultaneously. Each performer interprets the tabled time indications in terms of minutes and seconds (e.g. 7:16 = 7 minutes and 16 seconds). He selects one time by chance to determine the total duration of his performing. This done, he selects one row or column, and makes a sound at all points where tabled times within that row or column fall within the total duration of his performance. George Brecht Summer, 1959
P+ VI - 008 GOLDEN
Interference Gold (Fine)
Acrylics Heavy Body
P+ V - 161 MLK40
P+ II - 046 WATER YAM
George Brecht, Three Aqueous Events, Summer, 1961.
THREE AQUEOUS EVENTS • ice • water • steam Summer, 1961
P+ VI - 140 HUO25
P+ III - 045 Object
A blanket, embroidered with the text: ‘How to revert power from context to content?’
P+ I - 108 LASCAUX
Neutral grey middle
Acrylics Studio
P+ IV - 093 Drawing
P+ I - 013 GOLDEN
Titan Buff
Acrylics Heavy Body
P+ V - 119 GOLDEN
Permanent Green Light
Acrylics Heavy Body
P+ V - 062 ROUGE NOIR
Afterglow
P+ VII - 027 WATER YAM
George Brecht, Realization.
REALIZATION • emotion music
P+ VI - 082 LASCAUX
English green gold
Acrylics Studio Bronze
P+ IV - More
