P+: cards
1317 cards
- DESCRIPTION
P+ is a game of associations, a corpus of possibilities in which prospects and projects can form storyboards, narratives, scripts, events and exhibitions.
P+ - DESCRIPTION
It is a toolbox, a database stemming from a theoretical strategy first meant for teaching: to sketch 100 projects a week.
In two words: Oblique Strategies, the cards of Brian Eno and Peter Schmidt.
P+ - DESCRIPTION
P+ stands for Projects Prospects Possibilities +, a designation similar to units of measurement such as miles per hour (mph) or to protocols such as peer-to-peer (P2P) and the World Wide Web (www).
P+ - DESCRIPTION
It can be seen as a fictional and subjective method for quantifying or qualifying the emergence of ideas and conceptions as blueprints.
P+ is a series of editions made of collections of both text and images.
P+ - DESCRIPTION
The content of the images gives each collection its title, from photography to drawing to objects.
Each compendium first circulates on social media, then becomes a collection of cards on this website: the template for a deck of real playing cards.
P+ - DESCRIPTION
Using these different mediums places P+ in collective and open-source contexts.
P+ has nine decks: P+ N, from 2012, then P+ I to P+ VIII, from 2024 to 2026.
A project can be done, poorly done or not done.
P+ - DESCRIPTION
It can be self-censored, too large or too small to be done, too idealistic or unrealistic to be done.
A prospect can evolve into a work, a series of works, a presentation, a representation, a utopia or a dystopia.
P+ - DESCRIPTION
A possibility can be linked to another possibility, become one with multiple possibilities or evolve into a universe of possibilities, ever-transforming and ever-realising.
P+ - RULES
COMPONENTS
Six decks of 60 cards – 360 in all – drawn from the P+ corpus.
Setup. Shuffle the decks and lay them face down in a row between the two players.
P+ - RULES
OBJECT
Over six rounds, pair cards to build a shared set of twelve – a project, a prospect, a possibility. In each round, both players choose a card in secret, reveal them at once and talk: what does this pairing mean, what could it become?
P+ - RULES
ROUNDS 1 & 2
Each player takes a deck of their choice, chooses a card, and both are revealed. Players then swap decks, choose again and reveal.
P+ - RULES
ROUNDS 3 TO 6
Set used decks aside; each player takes a new deck, chooses a card, and both are revealed. Players swap, choose and reveal. Repeat once more, until twelve cards are in play.
P+ - RULES
VETO
Each player has one veto, used during play. Use it to remove any card in play – your own or your opponent’s – and replace it with a card from your own current deck.
P+ - RULES
JOKER
Each player has one joker, played once all twelve cards are revealed. Shuffle the unused cards and draw a fresh deck of 60. Search it card by card, setting aside those that don’t speak. A card that improves the set replaces one of the twelve. The twelve cards then form a project, a prospect or a possibility – one that may or may not be realised.
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- 018 LABEL
Pat
Notes:
This canvas can only be placed
on the floor, since it is stretched
over a board.P+ N - 010 LABEL
PEPITO PIZZA
Notes:
This sculpture must imperatively
be shown on the wall, at a height
other than 175 cm.P+ N - 047 LABEL

Paul Limoujoux – Playing Labels, 2012: a pair of round sunglasses on grey.
P+ N - 013 LABEL
FAUX PLAFOND
Notes:
The rosette should appear on an
azure/sea-blue background. The
wall must be painted with scotch
tape on the left and right, starting
at the floor. The wall painting
stops at the highest point the
painter can reach. Paint is
applied with a roller.P+ N - 033 LABEL
Radis
Notes:
The frame mimics a plinth, so
this piece is best shown on the
floor.P+ N - 017 LABEL
GAGA
Notes:
This sculpture includes the plinth
and the piece, and can be shown
in front of ‘Fig.2 : Wall Painting’.
Should the plinth be lost, mix
phosphorescent yellow paint
(acrylic), Sennelier fluorescent
yellow pigment and Lascaux
gesso.P+ N - 040 LABEL

Frédéric Gabioud – Playing Labels, 2012
P+ N - 025 LABEL
Playing Labels
Notes:
Tournaments of labels must be
held regularly. In an exhibition
context, display them loose on a
table. This collection, a unique
piece, is in perpetual evolution,
and can be technically
reproduced.P+ N - 027 LABEL
Fig.2 : Wall Painting
Notes:
All the information concerning
the execution of this wall
painting is contained in the text
of Fig.1 : Label.P+ N - 005 LABEL
XYLO.
Notes:
Best of all, of course, is to be
able to play this instrument,
heavy with meaning, but it can
also be shown as a painting,
evoking some of Jean Arp’s
sculptures. This sculpture can
work with ‘SOL RÉMI’.P+ N - 036 LABEL
BLOB
Notes:
The ‘BLOB’ is a wall piece.P+ N - 043 LABEL

Frédéric Gabioud – Playing Labels, 2012: a jack with a jester’s cap and a photographed face.
P+ N - 048 LABEL

Arthur Fouray – Playing Labels, 2012: the letters OK and a question mark in blue script.
P+ N - 029 LABEL
LORELEÏ ET SON CHIEN
Notes:
This petit-bourgeois frame suits
any wall colour, and hangs more
than 1.25 m above the floor.
Needless to say, ‘SKYBLOG
2005’ is located in another room.P+ N - 046 LABEL

Paul Limoujoux – Playing Labels, 2012: a newspaper weather table, Thursday to Saturday.
P+ N - 042 LABEL

Frédéric Gabioud – Playing Labels, 2012: a red ring-pull drawn on white.
P+ N - 015 LABEL
RADIS COMP.
Notes:
This object must be hung from
the ceiling, and can be used to
record an exhibition space.P+ N - 007 LABEL
FROMAGE (BIS)
Notes:
This panoptical object should be
placed intelligently, on the floor,
on the wall or on the ceiling, to
raise a question about its
function. It can also play with
‘FROMAGE’.P+ N - 041 LABEL

SM58 – Arthur Fouray – Playing Labels, 2012
P+ N - 026 LABEL
Fig.1 : Label
Notes:
This painting completes Fig.2 :
Wall Painting. The placement of
this canvas matters little, but it
should preferably lean against
the same wall.P+ N - 035 LABEL
1/2 Agnès Martin
Notes:
The best conditions for this
canvas to be fully appreciated
are met when it is hung at eye
level, and is more than one size
away from the other pieces.P+ N - 038 LABEL

t.i. – Robin Lebey and AF – Playing Labels, 2012
P+ N - 011 LABEL
RÊVE AUTOMATIQUE
Notes:
This piece is made of the two
sheets of paper, hung with
drawing clips. They must sit 12.5
cm apart.P+ N - 012 LABEL
CADR’ RÉNAL
Notes:
These two bricks must be
presented side by side on the
floor. The arrangement is left to
the curator.P+ N - 019 LABEL
«FLYING CAT»
Notes:
This figurative painting of a cat
(9GAG) is hung more than 2 m
above the floor.P+ N - More