P+ I: cards
214 cards
- 058 Drawing
P+ I - 012 Drawing
P+ I - 196 Drawing
P+ I - 187 Work
Building shields made of the most precious materials, each one inscribed with different words reflecting current political struggles and activisms, such as feminism, decolonialism, ecology, queer and trans.
P+ I - 071 Drawing
P+ I - 048 Show
Filling a skyscraper’s glass corridor with household dust. The interior of the corridor remains locked, visible only from outside. Synthetic household dust is gradually mixed with real household dust over time.
P+ I - 098 Drawing
P+ I - 112 Drawing
P+ I - 181 Drawing
P+ I - 006 Object
An encyclopaedia created from impassioned discussions with plants.
P+ I - 096 Drawing
P+ I - 055 Drawing
P+ I - 119 Drawing
P+ I - 159 Drawing
P+ I - 156 Drawing
P+ I - 052 Drawing
P+ I - 152 Drawing
P+ I - 020 Drawing
P+ I - 129 Drawing
P+ I - 060 Drawing
P+ I - 018 Space
Drones lit with cobalt lights, arranged in square formations reflected on the sea under the moonlight.
P+ I - 041 Drawing
P+ I - 179 Drawing
P+ I - 009 Drawing
P+ I - 068 Drawing
P+ I - 162 Drawing
P+ I - 095 Drawing
P+ I - 062 Drawing
P+ I - 081 Script
Reversing the timeline of events for an exhibition: starting with the closing, progressing to being open to the public, then to the opening, followed by installation, production and finally research.
P+ I - 135 Drawing
P+ I - 143 Drawing
P+ I - 040 Drawing
P+ I - 126 Instruction
Inventorying errors occurring when producing a task. These errors or missteps might not only inform the task but could be the task itself.
P+ I - 064 Drawing
P+ I - 090 Drawing
P+ I - 010 Context
A zoo imagined for bubbles, with cages for bubbles of different sizes and organised by colours, liquids and shapes.
P+ I - 045 Object
A blanket, embroidered with the text: ‘How to revert power from context to content?’
P+ I - 195 Drawing
P+ I - 072 Drawing
P+ I - 044 Space
A 100 m³ windowless room bathed in dark turquoise blue light; a pedestal at the centre showcases a 1998 Bondi Blue iMac G3 with a red screen, broadcasting local radio news.
P+ I - 192 Work
An installation visible through the windows of a vehicle designed in the shape of a flying saucer, featuring a double-axis system that allows you to move within the vehicle while maintaining a consistent directional orientation.
P+ I - 200 Drawing
P+ I - 194 Instruction
Every day, write a project on the city walls, one that is feasible within the specific context of the written project.
P+ I - 007 Drawing
P+ I - 043 Drawing
P+ I - 193 Work
A public artwork consisting of a large metal sign along a desert road, displaying the words ‘Brutal Bourgeoisie’ painted in white on a red background.
P+ I - 189 Script
Write a script around these questions: could an asteroid be considered an exhibition space or an artwork in the near future? Could a planet be? Will Earth become the Venice of the thirty-first century (if not destroyed – most certainly)?
P+ I - 031 Drawing
P+ I - 021 Drawing
P+ I - 115 Drawing
P+ I - 005 Drawing
P+ I - 026 Object
Reproducing the packaging of the game ‘Sorry’ as an oversized sculpture.
P+ I - 170 Space
A room with walls covered in sandpaper.
P+ I - 175 Drawing
P+ I - 086 Drawing
P+ I - 163 Drawing
P+ I - 011 Relation
Opening museums during the day for the general public and at night exclusively for artists.
P+ I - 120 Drawing
P+ I - 182 Drawing
P+ I - 065 Drawing
P+ I - 123 Context
A train, arranged as a white cube, would be an ideal exhibition space.
P+ I - 139 Drawing
P+ I - 171 Space
Walls painted in pale pink mixed with glitter.
P+ I - 063 Drawing
P+ I - 073 Drawing
P+ I - 197 Drawing
P+ I - 107 Drawing
P+ I - 093 Drawing
P+ I - 050 Drawing
P+ I - 030 Drawing
P+ I - 025 Script
Generate, as an artist, a scenario in which an intelligence agency collaborates with a gallerist to organise an opening for wealthy collectors, aiming to gather intel from them. Profits are split with the gallerist.
P+ I - 205 Drawing
P+ I - 204 Drawing
P+ I - 102 Show
An exhibition where visitors become the spectacle, as they would be required to wear light costumes, such as capes, to enter the space.
P+ I - 051 Drawing
P+ I - 127 Script
Assemble a team of screenwriters to conceive a show with multiple episodes over one year.
P+ I - 074 Drawing
P+ I - 209 Drawing
P+ I - 199 Drawing
P+ I - 128 Drawing
P+ I - 122 Drawing
P+ I - 082 Object
Designing a card game similar to Pokémon cards, where collecting and exchanging are as crucial as the actual game, if not more so. Instead of creatures, these cards would feature artist names.
P+ I - 104 Context
A museum conceived by exchanging with cows.
P+ I - 091 Drawing
P+ I - 180 Drawing
P+ I - 178 Drawing
P+ I - 140 Drawing
P+ I - 174 Drawing
P+ I - 208 Drawing
P+ I - 076 Drawing
P+ I - 166 Drawing
P+ I - 066 Drawing
P+ I - 169 Space
An exhibition space with only curved walls.
P+ I - 017 Show
A sign at the entrance to an exhibition, warning of the presence of an artist or multiple artists in the space: ‘Beware of artist(s)’.
P+ I - 173 Show
An exhibition consisting of a residency and a complete takeover by an artist for the duration of the exhibition, and the withdrawal of the people managing the exhibition context. The artist would take over all tasks related to the venue for the duration of the exhibition…
P+ I - 116 Drawing
P+ I - 092 Drawing
P+ I - 153 Drawing
P+ I - 083 Show
A darkened room with a two-metre-wide disco ball at its centre, stroboscopic lights and jazz music filling the space. Some works hung on the ceiling can only be perceived by looking at the disco ball when the flashes occur.
P+ I - 118 Drawing
P+ I - 047 Instruction
Write a travel guide about an exhibition space, detailing a tour that describes the lighting, power outlets, windows and scratches on the walls as if they were monuments.
P+ I - 211 Drawing
P+ I - 028 Instruction
Never produce a finished object or work; only write and imagine drafts of ideas, mixing them together.
P+ I - 111 Drawing
P+ I - 137 Drawing
P+ I - 130 Drawing
P+ I - 186 Context
Like party or dining buses, refurbished electric buses could serve as mobile white cubes, offering new possibilities for exhibition-making.
P+ I - 088 Drawing
P+ I - 151 Drawing
P+ I - 160 Drawing
P+ I - 167 Drawing
P+ I - 198 Drawing
P+ I - 038 Space
Install thousands of lit lamps of various sizes in a room, creating an environment so intensely bright that it is impossible to photograph.
P+ I - 070 Drawing
P+ I - 054 Drawing
P+ I - 110 Drawing
P+ I - 029 Drawing
P+ I - 164 Drawing
P+ I - 203 Drawing
P+ I - 013 Drawing
P+ I - 019 Dream
Wearing glasses that make everyone around you appear to be wearing pink suits with furry hats.P+ I - 206 Drawing
P+ I - 033 Drawing
P+ I - 149 Drawing
P+ I - 142 Drawing
P+ I - 161 Drawing
P+ I - 124 Space
In a vast space illuminated by intense white lights, reminiscent of studio flashes or construction-site lighting, a pair of high heels is the sole focus, positioned at the centre.
P+ I - 089 Drawing
P+ I - 176 Drawing
P+ I - 078 Space
A space where the floor tiles are keys which, when stepped upon, activate or affect the environment in diverse ways.
P+ I - 183 Drawing
P+ I - 172 Show
An exhibition that can only be visited by one visitor or a group of visitors at a time. If the exhibition is empty, the person managing the exhibition space must go out and canvass the streets until they find interested onlookers.
P+ I - 212 Drawing
P+ I - 085 Drawing
P+ I - 002 Drawing
P+ I - 075 Drawing
P+ I - 202 Drawing
P+ I - 148 Object
Conceive an object based on the following question: if we assume that books, poetry, philosophy, music, radio, cinema, series, video games and so on can all be enjoyed wherever and whenever a ‘user’ desires, how might contemporary art offer the same accessibility?
P+ I - 022 Drawing
P+ I - 080 Dream
As an experiment, empty all the art institutions of a city (for example New York) and see how the citizens appropriate these spaces.P+ I - 035 Drawing
P+ I - 177 Drawing
P+ I - 157 Drawing
P+ I - 144 Dream
The robot from Le Roi et l’Oiseau releases the last bird from a cage amidst the ruins of glass skyscrapers reflecting a desert landscape like mirrors.P+ I - 016 Dream
A giant glass ball rolling freely with the wind in a field of flowers.P+ I - 190 Space
An exhibition space acting as a gigantic board, where visitors can write on the glossy walls if they call the artist first to discuss the purpose of their writing.
P+ I - 133 Drawing
P+ I - 049 Dream
A society where daily rituals and ceremonies revolve around art, for example: Mondays for book reading, Tuesdays for movie-going, Wednesdays for music listening, Thursdays for exhibition visits, Fridays for attending a spectacle.P+ I - 042 Drawing
P+ I - 004 Drawing
P+ I - 069 Drawing
P+ I - 105 Show
In an exhibition space styled like a school or open workspace, visitors are prompted to sit at tables and work for a set duration (30 minutes, 1 hour). They could also be assigned specific ‘office’ tasks.
P+ I - 213 Drawing
P+ I - 046 Work
A blank blackboard with a dark green glaze, borderless and installed on the concrete floor of a space, ready to be walked on.
P+ I - 125 Context
An art centre designed to welcome any community, aiming to be hospitable to anyone by adapting rather than imposing.
P+ I - 015 Drawing
P+ I - 108 Drawing
P+ I - 036 Drawing
P+ I - 117 Drawing
P+ I - 138 Drawing
P+ I - 084 Dream
A world where all construction materials, instead of having natural dyes like grey, brown and beige, would be in neon colours.P+ I - 134 Drawing
P+ I - 188 Instruction
Install gigantic billboards connecting the roofs of Haussmannian buildings, displaying posters made by artists.
P+ I - 158 Drawing
P+ I - 214 Drawing
P+ I - 008 Drawing
P+ I - 032 Drawing
P+ I - 077 Drawing
P+ I - 037 Relation
Instead of opening art contexts during the day, open them only at night and add couches, chairs and stools inside the gallery spaces.
P+ I - 201 Drawing
P+ I - 014 Drawing
P+ I - 103 Context
A contemporary art museum as a refurbished cruise ship. If it moves from city to city, it could embody the carbon footprint of the arts. If it stays still, it could be an illustration of decay.
P+ I - 057 Drawing
P+ I - 154 Drawing
P+ I - 039 Drawing
P+ I - 094 Drawing
P+ I - 101 Show
An exhibition titled ‘Ideological Software’.
P+ I - 210 Drawing
P+ I - 097 Drawing
P+ I - 155 Drawing
P+ I - 191 Show
Conceive a show with only one visible work in a room, changing the work every day for 90 days (thus requiring 90 different works).
P+ I - 106 Show
Entering an exhibition, spectators are asked to close their eyes while inside the space. The room itself could be blacked out, or visitors could be provided with blackout glasses to wear.
P+ I - 147 Instruction
Take a picture every day of the same element, from a different angle, in various lightings or within specific contexts. What emerges: the focus itself, the ritual, both or something else?
P+ I - 150 Drawing
P+ I - 136 Drawing
P+ I - 079 Dream
An exhibition of works floating in the clouds.P+ I - 023 Drawing
P+ I - 113 Drawing
P+ I - 003 Drawing
P+ I - 056 Drawing
P+ I - 185 Object
Create an installation based on the following statement: we have generated billions of representations of humans in space, fully aware that most of us will likely never experience it in our lifetimes. Are we driven by fear, or merely limited by our pace?
P+ I - 099 Drawing
P+ I - 146 Context
A plane as a museum offering the experience of a casual opening. Destinations would be essential, and flight duration too.
P+ I - 087 Drawing
P+ I - 034 Drawing
P+ I - 053 Drawing
P+ I - 145 Instruction
Commission artists from a city to use all available public platforms: screens, billboards, music in shops, stores and markets, and on the streets when possible, contextual web and social media advertising, etc.
P+ I - 061 Drawing
P+ I - 024 Drawing
P+ I - 184 Dream
An island, replicating the epiphany from The Invention of Morel (1940) by Adolfo Bioy Casares, could present a complex museum dystopia.P+ I - 109 Drawing
P+ I - 207 Drawing
P+ I - 027 Instruction
Inventing job titles using terms from dead languages to address the employment void of the twenty-first century.
P+ I - 131 Drawing
P+ I - 001 Work
A two-kilometre-wide concrete cube sitting in a low ocean.
P+ I - 100 Work
An illustration of Pablo Picasso with, around his head, instead of an aureola, the bright side of the Death Star from Star Wars (1977).
P+ I - 114 Drawing
P+ I - 141 Drawing
P+ I - 059 Drawing
P+ I - 067 Drawing
P+ I - 165 Drawing
P+ I - 132 Drawing
P+ I - 168 Drawing
P+ I - 121 Drawing
P+ I
