Systems: cards, 3457 to 3504

3970 cards

• 029 Drawing
  
  P+ I
• 171 HUO25
  
  P+ III
• 178 MLK40
  
  P+ II
• 050 WATER YAM
  

  George Brecht, Three Dances, Summer, 1961.

  THREE DANCES 1. Saliva 2. Pause. Urination. Pause. 3. Perspiration. Summer, 1961 G. Brecht

  P+ VI
• 043 WATER YAM
  

  George Brecht, Table – 2/3 (on a white table).

  TABLE • on a white table

  P+ VI
• 091 LASCAUX
  

  Oxide red

  Acrylics Artist

  P+ IV
• 063 LASCAUX
  

  Cobalt green light

  Acrylics Studio

  P+ IV
• 003 ROUGE NOIR

  Roubachka

  P+ VII
• 146 GOLDEN
  

  Iridescent Copper Light (Fine)

  Acrylics Heavy Body

  P+ V
• 015 WATER YAM
  

  George Brecht, Egg.

  EGG • at least one egg

  P+ VI
• 145 Instruction

  Commission artists from a city to use all available public platforms: screens, billboards, music in shops, stores and markets, and on the streets when possible, contextual web and social media advertising, etc.

  P+ I
• 019 HUO25
  
  P+ III
• 016 LABEL

  SOL RÉMI

  Arthur Fouray,
  Print on canvas,
  2012.

  Notes:
  This painting is also an object,
  since it has no stretcher. It can
  be completed by ‘XYLO.’, or by
  the music produced by the text.

  P+ N
• 013 Drawing
  
  P+ I
• 125 Context

  An art centre designed to welcome any community, aiming to be hospitable to anyone by adapting rather than imposing.

  P+ I
• 123 GR33C3
  
  P+ VIII
• 121 MLK40
  
  P+ II
• 153 GR33C3
  
  P+ VIII
• 055 WATER YAM
  

  George Brecht, Three Telephone Events, Spring, 1961.

  THREE TELEPHONE EVENTS • When the telephone rings, it is allowed to continue ringing, until it stops. • When the telephone rings, the receiver is lifted, then replaced. • When the telephone rings, it is answered. Performance note: Each event comprises all occurrences within its duration. Spring, 1961

  P+ VI
• 114 GR33C3
  
  P+ VIII
• 071 LASCAUX
  

  Phthalo turquoise green

  Acrylics Artist

  P+ IV
• 203 Drawing
  
  P+ I
• 003 WATER YAM
  

  George Brecht, Incidental Music, Summer, 1961.

  INCIDENTAL MUSIC Five Piano Pieces, any number playable successively or simultaneously, in any order and combination, with one another and with other pieces. 1. The piano seat is tilted on its base and brought to rest against a part of the piano. 2. Wooden blocks. A single block is placed inside the piano. A block is placed upon this block, then a third upon the second, and so forth, singly, until at least one block falls from the column. 3. Photographing the piano situation. 4. Three dried peas or beans are dropped, one after another, onto the keyboard. 5. The piano seat is suitable arranged, and the performer seats himself. Summer, 1961. G. Brecht

  P+ VI
• 097 LASCAUX
  

  Burnt umber

  Acrylics Studio

  P+ IV
• 001 GR33C3
  
  P+ VIII
• 058 MLK40
  
  P+ II
• 013 MLK40
  
  P+ II
• 106 LASCAUX
  

  Transoxide black

  Acrylics Artist

  P+ IV
• 103 MLK40
  
  P+ II
• 112 GR33C3
  
  P+ VIII
• 030 WATER YAM
  

  George Brecht, Six Doors.

  SIX DOORS • EXIT • ENTRANCE • EXIT ENTRANCE •

  P+ VI
• 084 LASCAUX
  

  Pale gold

  Acrylics Studio Bronze

  P+ IV
• 172 HUO25
  
  P+ III
• 202 HUO25
  
  P+ III
• 170 MLK40
  
  P+ II
• 063 GR33C3
  
  P+ VIII
• 001 LASCAUX
  

  White

  Acrylics Neon

  P+ IV
• 057 WATER YAM
  

  George Brecht, Three Yellow Events, Spring, 1961.

  THREE YELLOW EVENTS I • yellow • yellow • yellow II • yellow • loud III • red to Rrose Spring, 1961 G. Brecht

  P+ VI
• 118 GOLDEN
  

  Phthalo Green (Yellow Shade)

  Acrylics Heavy Body

  P+ V
• 036 LASCAUX
  

  Oxide red deep

  Acrylics Artist

  P+ IV
• 028 LASCAUX
  

  Bright red

  Acrylics Studio

  P+ IV
• 017 ROUGE NOIR

  Dieu Bleu

  P+ VII
• 185 MLK40
  
  P+ II
• 020 WATER YAM
  

  George Brecht, Keyhole.

  KEYHOLE through either side

  P+ VI
• 114 MLK40
  
  P+ II
• 111 GR33C3
  
  P+ VIII
• 164 HUO25
  
  P+ III
• 154 GR33C3
  
  P+ VIII
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