Systems: cards, 3601 to 3648

3970 cards

• 180 Drawing
  
  P+ I
• 039 ROUGE NOIR

  Rose Indien

  P+ VII
• 034 ROUGE NOIR

  Chaminade

  P+ VII
• 068 Drawing
  
  P+ I
• 033 MLK40
  
  P+ II
• 145 MLK40
  
  P+ II
• 095 HUO25
  
  P+ III
• 076 GOLDEN
  

  Light Violet

  Acrylics Heavy Body

  P+ V
• 027 ROUGE NOIR

  Divine

  P+ VII
• 045 LABEL
  

  Paul Limoujoux – Playing Labels, 2012: a newspaper weather table, Monday to Wednesday.

  P+ N
• 083 GR33C3
  
  P+ VIII
• 092 HUO25
  
  P+ III
• 044 GOLDEN
  

  Cadmium Orange

  Acrylics Heavy Body

  P+ V
• 107 GR33C3
  
  P+ VIII
• 029 WATER YAM
  

  George Brecht, Sink – 2/2 (on ( or near ) a white sink).

  SINK • on ( or near ) a white sink

  P+ VI
• 088 HUO25
  
  P+ III
• 025 LABEL

  Playing Labels

  Arthur Fouray,
  cards,
  2012,
  6.2 × 8.7 × 0.03 cm
  each.

  Notes:
  Tournaments of labels must be
  held regularly. In an exhibition
  context, display them loose on a
  table. This collection, a unique
  piece, is in perpetual evolution,
  and can be technically
  reproduced.

  P+ N
• 025 WATER YAM
  

  George Brecht, Organ Piece, 1962.

  ORGAN PIECE • organ G. Brecht 1962

  P+ VI
• 178 Drawing
  
  P+ I
• 070 Drawing
  
  P+ I
• 075 ROUGE NOIR

  Fauve

  P+ VII
• 041 LASCAUX
  

  Bordeaux red

  Acrylics Studio

  P+ IV
• 027 MLK40
  
  P+ II
• 140 MLK40
  
  P+ II
• 029 GR33C3
  
  P+ VIII
• 054 WATER YAM
  

  George Brecht, 3 Table and Chair Events.

  3 TABLE AND CHAIR EVENTS • newspaper • game plate knife • fork spoon glass

  P+ VI
• 072 GR33C3
  
  P+ VIII
• 182 Drawing
  
  P+ I
• 149 GR33C3
  
  P+ VIII
• 032 WATER YAM
  

  George Brecht, Solo for Violin, Viola, Cello, or Contrabass, 1962.

  SOLO FOR VIOLIN VIOLA CELLO OR CONTRABASS • polishing George Brecht 1962

  P+ VI
• 189 MLK40
  
  P+ II
• 071 MLK40
  
  P+ II
• 026 ROUGE NOIR

  Self Service

  P+ VII
• 189 Script

  Write a script around these questions: could an asteroid be considered an exhibition space or an artwork in the near future? Could a planet be? Will Earth become the Venice of the thirty-first century (if not destroyed – most certainly)?

  P+ I
• 147 HUO25
  
  P+ III
• 111 HUO25
  
  P+ III
• 049 GOLDEN
  

  Cadmium Red Light

  Acrylics Heavy Body

  P+ V
• 158 HUO25
  
  P+ III
• 093 MLK40
  
  P+ II
• 047 LASCAUX
  

  Dioxazine violet light

  Acrylics Artist

  P+ IV
• 069 ROUGE NOIR

  punk vermilion

  P+ VII
• 012 LABEL

  CADR’ RÉNAL

  Arthur Fouray,
  2 resin bricks,
  2012.

  Notes:
  These two bricks must be
  presented side by side on the
  floor. The arrangement is left to
  the curator.

  P+ N
• 016 HUO25
  
  P+ III
• 149 GOLDEN
  

  Sepia

  Acrylics High Flow

  P+ V
• 058 LASCAUX
  

  Phthalo blue medium

  Acrylics Artist

  P+ IV
• 047 HUO25
  
  P+ III
• 030 ROUGE NOIR

  Rouge Amazone

  P+ VII
• 007 Drawing
  
  P+ I
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