Arthur Fouray BOOM
IMG: Arthur Fouray, BOOM, 2015, ECAL, Renens, 2015
BOOM
ECAL
Renens, Switzerland
21.01–22.01.2015
Special thanks to Nicolas Degrange, Marine Julié
I showed four works under the title BOOM in Half Time, a group exhibition at ECAL in Renens on 21 and 22 January 2015: Kasimir (Rose Pâle), acrylic and cotton duck on a pillow; #aaafff (Mur Grec), from the #aaafff series, acrylic and blackout fabric with lime and dispersion paint; a small gouache on Arches paper and cardboard, listed as Elizabeth Taylor in my 2016 captions; and MC (Taupe), acrylic and cotton duck on a ladder. My interest in Elizabeth Taylor began with Warhol’s POPism, where he writes about Boom, her 1968 film of Tennessee Williams’s play The Milk Train Doesn’t Stop Here Anymore.
IMG: Arthur Fouray, Kasimir (Rose Pâle), 2014, acrylic, cotton duck, pillow, 35 × 35 × 12 cm
Kasimir (Rose Pâle)
2014
acrylic, cotton duck, pillow
35 × 35 × 12 cm
Courtesy of the artist
IMG: Arthur Fouray, #aaafff (Mur Grec), 2014–2015, acrylic, blackout fabric, lime, dispersion paint, 36 × 58 × 4.5 cm
IMG: Arthur Fouray, #aaafff (Mur Grec), 2014–2015, acrylic, blackout fabric, lime, dispersion paint, 36 × 58 × 4.5 cm, back
#aaafff (Mur Grec)
2014–2015
acrylic, blackout fabric, lime, dispersion paint
36 × 58 × 4.5 cm
Private collection
IMG: Arthur Fouray, The Milk Train Doesn’t Stop Here Anymore, 2015–2017, gouache, Arches paper, cardboard, 13.5 × 9.2 × 1 cm
The Milk Train Doesn’t Stop Here Anymore
2015–2017
gouache, Arches paper, cardboard
13.5 × 9.2 × 1 cm
Courtesy of the artist
IMG: Arthur Fouray, MC (Taupe), 2014, acrylic, cotton duck, ladder, 39 × 244 × 6 cm
MC (Taupe)
2014
acrylic, cotton duck, ladder
39 × 244 × 6 cm
Courtesy of the artist
