P+: cards, 49 to 96

1317 cards

• 044 LABEL
  

  Playing Labels, 2012: the backing card of a LUX tape measure.

  P+ N
• 002 LABEL

  WEIRDO

  Arthur Fouray,
  Silver resin,
  crystal pigment, and
  resin + blue Patina
  on a silver frame,
  2012.

  Notes:
  This frame can be placed on a
  shelf or hung on the wall. The
  colour matters little, but it must
  under no circumstances be hung
  on the floor.

  P+ N
• 008 LABEL

  COSMO GLASS

  Arthur Fouray,
  Resined plastic
  glasses,
  2012.

  Notes:
  This sculpture keeps evolving for
  as long as I live. I make a point of
  adding another tier with each
  new resin piece I make.

  P+ N
• 009 LABEL

  CHROME

  Arthur Fouray,
  Canvas on frame,
  spray-painted,
  2012.

  Notes:
  This canvas can be displayed
  vertically, or diagonally,
  depending on use. The white wall
  is a quality choice.

  P+ N
• 032 LABEL

  P.A.V.

  Arthur Fouray,
  video,
  2012,
  16/9 format,
  dimensions variable,
  (14.22 min).

  Notes:
  The playback medium matters
  little for this video. When it is
  projected, the pale blue outline
  in P.A.V. must be painted on the
  wall.

  P+ N
• 021 LABEL

  Un Mot C’est :

  Arthur Fouray,
  Resin on
  a road sign,
  2012.

  Notes:
  This sculpture is best placed
  leaning against a wall.

  P+ N
• 014 LABEL

  CARRÉ B. SUR FOND B.

  Arthur Fouray,
  Resin+krink+gesso
  on pre-primed
  canvas,
  2012.

  Notes:
  This canvas must be hung at a
  child’s height.

  P+ N
• 030 LABEL

  OH!

  Arthur Fouray,
  sticker and
  painted frame,
  2012,
  25.5 × 20.5 × 1.5 cm.

  Notes:
  This object must be placed on
  the ceiling. It is the only
  constraint imposed by this piece.

  P+ N
• 024 LABEL

  AH!

  Arthur Fouray,
  print on canvas
  in a painted frame,
  2012,
  23.8 × 18.7 × 2.5 cm.

  Notes:
  This object, classified as a
  sculpture, rests on the floor. It is
  the only constraint imposed by
  this piece.

  P+ N
• 022 LABEL

  Sein

  Arthur Fouray,
  Resin (+acrylic) and
  gesso on found object,
  2012.

  Notes:
  This piece rests against a wall
  (because of its weight).

  P+ N
• 006 LABEL

  WHITE CARPET

  Arthur Fouray,
  White paint on
  clear tarpaulin,
  dimensions variable,
  2012.

  Notes:
  This is a device that serves to set
  off a piece. The aim is to create
  an equivalent of the white wall,
  but on the floor. A plinth works
  like a frame, not like a white wall,
  and the floor in no way fulfils the
  function of the white wall.

  P+ N
• 031 LABEL

  P.A.S.

  Arthur Fouray,
  book on printed canvas,
  2012,
  27 × 46.5 × 3 cm.

  Notes:
  This testimonial-sculpture is to
  be placed on the floor.
  Connection with the video
  ‘P.A.V.’ is not necessary.

  P+ N
• 037 LABEL

  KAC PACK

  Arthur Fouray,
  sugar pyramid
  and rabbit,
  2012,
  28 × 28 × 28 cm.

  Notes:
  As the pyramid acts as a plinth, it
  is absolutely necessary to place
  this piece directly on the floor.

  P+ N
• 034 LABEL

  SKYBLOG 2005

  Arthur Fouray,
  print in a
  Migros frame,
  2012,
  21 × 29.7 × 1 cm.

  Notes:
  This piece must be stripped of its
  obviousness, and hidden far
  from ‘LORELEÏ ET SON CHIEN’.

  P+ N
• 016 LABEL

  SOL RÉMI

  Arthur Fouray,
  Print on canvas,
  2012.

  Notes:
  This painting is also an object,
  since it has no stretcher. It can
  be completed by ‘XYLO.’, or by
  the music produced by the text.

  P+ N
• 004 LABEL

  POLA. DEV.

  Arthur Fouray,
  Painted Polaroid
  film pack on a
  resined frame,
  2012.

  Notes:
  Working on the floor, this piece is
  a kind of U.F.O. that can be
  paired with ‘WEIRDO’, but the
  display is left open. The only
  thing to know is that this piece is
  phosphorescent.

  P+ N
• 020 LABEL

  De Serena, avec A.

  Arthur Fouray,
  Sheet held by a
  drawing clip,
  2012.

  Notes:
  The kiss is by Serena, the clip by
  Baxter. This piece can suit
  anywhere and nowhere.

  P+ N
• 039 LABEL
  

  Robin Lebey – Playing Labels, 2012

  P+ N
• 001 LABEL

  DR. X

  Arthur Fouray,
  Cross in polyester
  resin on stretched
  canvas,
  2012.

  Notes:
  The striking symbol of this piece
  can be put to practical use: for
  example, if you are organising an
  exhibition and one of the works
  does not suit you, you can
  affix-juxtapose this piece to it.

  P+ N
• 028 LABEL

  LDMB49.49

  Arthur Fouray,
  video projection,
  2012,
  16/9 format,
  dimensions variable,
  (49.49 min).

  Notes:
  This video may or may not be
  part of an installation. On its
  own, it must be projected in a
  dark room, or onto a ground
  painted black; a sofa / bench is
  recommended.

  P+ N
• 023 LABEL

  P.B.W.

  Arthur Fouray,
  Dispersion paint
  on a found pallet,
  2012.

  Notes:
  This piece is best shown on a
  white wall, with visible nails (of a
  certain pictorial quality).

  P+ N
• 003 LABEL

  FROMAGE

  Arthur Fouray,
  Four layers of
  resin, yellow, orange,
  then 2× yellow,
  on object,
  2012.

  Notes:
  This panoptical object should be
  placed intelligently on the floor. It
  can also play with ‘FROMAGE
  (BIS)’.

  P+ N
• 045 LABEL
  

  Paul Limoujoux – Playing Labels, 2012: a newspaper weather table, Monday to Wednesday.

  P+ N
• 058 Drawing
  
  P+ I
• 012 Drawing
  
  P+ I
• 196 Drawing
  
  P+ I
• 187 Work

  Building shields made of the most precious materials, each one inscribed with different words reflecting current political struggles and activisms, such as feminism, decolonialism, ecology, queer and trans.

  P+ I
• 071 Drawing
  
  P+ I
• 048 Show

  Filling a skyscraper’s glass corridor with household dust. The interior of the corridor remains locked, visible only from outside. Synthetic household dust is gradually mixed with real household dust over time.

  P+ I
• 098 Drawing
  
  P+ I
• 112 Drawing
  
  P+ I
• 181 Drawing
  
  P+ I
• 006 Object

  An encyclopaedia created from impassioned discussions with plants.

  P+ I
• 096 Drawing
  
  P+ I
• 055 Drawing
  
  P+ I
• 119 Drawing
  
  P+ I
• 159 Drawing
  
  P+ I
• 156 Drawing
  
  P+ I
• 052 Drawing
  
  P+ I
• 152 Drawing
  
  P+ I
• 020 Drawing
  
  P+ I
• 129 Drawing
  
  P+ I
• 060 Drawing
  
  P+ I
• 018 Space

  Drones lit with cobalt lights, arranged in square formations reflected on the sea under the moonlight.

  P+ I
• 041 Drawing
  
  P+ I
• 179 Drawing
  
  P+ I
• 009 Drawing
  
  P+ I
• 068 Drawing
  
  P+ I
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