P+: cards, 961 to 1008

1317 cards

• 084 GOLDEN
  

  Anthraquinone Blue

  Acrylics Heavy Body

  P+ V
• 141 GOLDEN
  

  Transparent Brown Iron Oxide

  Acrylics Heavy Body

  P+ V
• 105 GOLDEN
  

  Turquoise (Phthalo)

  Acrylics Heavy Body

  P+ V
• 066 GOLDEN
  

  Permanent Maroon

  Acrylics Heavy Body

  P+ V
• 008 GOLDEN
  

  Interference Gold (Fine)

  Acrylics Heavy Body

  P+ V
• 087 GOLDEN
  

  Cerulean Blue Deep

  Acrylics Heavy Body

  P+ V
• 064 GOLDEN
  

  Alizarin Crimson Hue

  Acrylics Heavy Body

  P+ V
• 077 GOLDEN
  

  Medium Violet

  Acrylics Heavy Body

  P+ V
• 005 GOLDEN
  

  Titan Violet Pale

  Acrylics Heavy Body

  P+ V
• 063 GOLDEN
  

  Quinacridone Violet

  Acrylics Heavy Body

  P+ V
• 075 GOLDEN
  

  Ultramarine Violet

  Acrylics Heavy Body

  P+ V
• 172 GOLDEN
  

  Pearl Mica Flake (Small)

  Acrylics Heavy Body

  P+ V
• 131 GOLDEN
  

  Yellow Oxide

  Acrylics Heavy Body

  P+ V
• 128 GOLDEN
  

  Green Gold

  Acrylics Heavy Body

  P+ V
• 169 GOLDEN
  

  Iridescent Silver (Fine)

  Acrylics Heavy Body

  P+ V
• 090 GOLDEN
  

  Cobalt Blue

  Acrylics Heavy Body

  P+ V
• 079 GOLDEN
  

  Red Violet

  Acrylics SoFlat

  P+ V
• 053 GOLDEN
  

  Naphthol Red Light

  Acrylics Heavy Body

  P+ V
• 032 WATER YAM
  

  George Brecht, Solo for Violin, Viola, Cello, or Contrabass, 1962.

  SOLO FOR VIOLIN VIOLA CELLO OR CONTRABASS • polishing George Brecht 1962

  P+ VI
• 034 WATER YAM
  

  George Brecht, Spanish Card Piece for Objects, Winter, 1959/60.

  SPANISH CARD PIECE FOR OBJECTS From one to twenty-four performers are arranged within view of each other. Each has before him a stopwatch and a set of objects of four types, corresponding to the four suits of Spanish cards: swords, clubs, cups, and coins. One performer, as dealer, shuffles a deck of Spanish cards (which are numbered 1-12 in each suit), and deals them in pairs to all performers, each performer arranging his pairs, face up, in front of him. At a sign from the dealer, each performer starts his stopwatch, and, interpreting the rank of the first card in each pair as the number of sound to be made, and the rank of the second card in each pair as the number of consecutive five-second intervals within which that number of sounds is to be freely arranged, acts with an object corresponding to the suit of the first card in each pair upon an object corresponding to the suit of the second card in that pair. When every performer has used all his pairs of cards, the piece ends. G. Brecht Winter, 1959/60

  P+ VI
• 058 WATER YAM
  

  George Brecht, Time-Table Event, Spring, 1961.

  TIME-TABLE EVENT to occur in a railway station A time-table is obtained. A tabled time indication is interpreted in minutes and seconds ( 7:16 equalling, for example, 7 minutes and 16 seconds). This determines the duration of the event. Spring, 1961 G. Brecht

  P+ VI
• 047 WATER YAM
  

  George Brecht, Three Arrangements.

  THREE ARRANGEMENTS • on the shelf • on a clothes tree • black object white chair

  P+ VI
• 040 WATER YAM
  

  George Brecht, Suitcase – 2/3 (from a suitcase).

  SUITCASE • from a suitcase.

  P+ VI
• 014 WATER YAM
  

  George Brecht, Dresser.

  DRESSER • mirror above drawers below

  P+ VI
• 038 WATER YAM
  

  George Brecht, String Quartet, 1962.

  STRING QUARTET • shaking hands G. Brecht 1962

  P+ VI
• 036 WATER YAM
  

  George Brecht, Stool – 2/3 (a cane and a package or bag of).

  STOOL on a stool a cane and a package or bag of

  P+ VI
• 004 WATER YAM
  

  George Brecht, Comb Music (Comb Event), 1959–62.

  COMB MUSIC (COMB EVENT) For single or multiple performance. A comb is held by its spine in one hand, either free or resting on an object. The thumb or a finger of the other hand is held with its tip against an end prong of the comb, with the edge of the nail overlapping the end of the prong. The finger is now slowly and uniformly moved so that the prong is inevitably released, and the nail engages the next prong. This action is repeated until each prong has been used. Second version: Sounding comb-prong. Third version: Comb-prong. Fourth version: Comb. Fourth version: Prong. G. Brecht (1959-62)

  P+ VI
• 003 WATER YAM
  

  George Brecht, Incidental Music, Summer, 1961.

  INCIDENTAL MUSIC Five Piano Pieces, any number playable successively or simultaneously, in any order and combination, with one another and with other pieces. 1. The piano seat is tilted on its base and brought to rest against a part of the piano. 2. Wooden blocks. A single block is placed inside the piano. A block is placed upon this block, then a third upon the second, and so forth, singly, until at least one block falls from the column. 3. Photographing the piano situation. 4. Three dried peas or beans are dropped, one after another, onto the keyboard. 5. The piano seat is suitable arranged, and the performer seats himself. Summer, 1961. G. Brecht

  P+ VI
• 053 WATER YAM
  

  George Brecht, 3 Piano Pieces, 1962.

  3 PIANO PIECES • standing • sitting • walking G. Brecht, 1962

  P+ VI
• 066 WATER YAM
  

  George Brecht, 2 Umbrellas.

  2 UMBRELLAS • umbrella • umbrella

  P+ VI
• 026 WATER YAM
  

  George Brecht, Position.

  POSITION • an insect nearby

  P+ VI
• 045 WATER YAM
  

  George Brecht, Tea Event, Summer, 1961.

  TEA EVENT preparing empty vessel Summer, 1961

  P+ VI
• 035 WATER YAM
  

  George Brecht, Stool – 1/3 (striped cane and oranges).

  STOOL on a white stool a black-and-white-striped cane oranges in a paper bag

  P+ VI
• 010 WATER YAM
  

  George Brecht, Candle-Piece for Radios.

  CANDLE-PIECE FOR RADIOS 1. There are about one and one-half times as many radios as performers. The radios are placed about the room and turned on at lowest volume. A stack of instruction cards from a shuffled master-deck is dealt, face-up, at each radio. 2. The room lights are turned out. (Birthday) Candles are lighted and given to the performers, each of whom places one candle by each of the instruction card stacks. After doing this, each performer finds himself at a radio. He performs the instructions given on the top card, places the card at the bottom of the deck, and proceeds to another, unoccupied, radio. 3. Each performer, then, finds himself performing a card instruction and going to another radio. He does this until he finds either that a card is unreadable, or that the candle at a radio is out completely. In either event, he turns off that radio, and, when no more radios are available, returns to his seat.

  P+ VI
• 068 WATER YAM
  

  George Brecht, Wheel.

  WHEEL • Paint the hub white. Paint the felly black. Distribute spectral colors on the spokes.

  P+ VI
• 059 WATER YAM
  

  George Brecht, Time-Table Music, Summer, 1959.

  TIME-TABLE MUSIC For performance in a railway station. The performers enter a railway station and obtain time-tables. They stand or seat themselves so as to be visible to each other, and, when ready, start their stopwatches simultaneously. Each performer interprets the tabled time indications in terms of minutes and seconds (e.g. 7:16 = 7 minutes and 16 seconds). He selects one time by chance to determine the total duration of his performing. This done, he selects one row or column, and makes a sound at all points where tabled times within that row or column fall within the total duration of his performance. George Brecht Summer, 1959

  P+ VI
• 057 WATER YAM
  

  George Brecht, Three Yellow Events, Spring, 1961.

  THREE YELLOW EVENTS I • yellow • yellow • yellow II • yellow • loud III • red to Rrose Spring, 1961 G. Brecht

  P+ VI
• 002 WATER YAM
  

  George Brecht, Exhibit Seven (Clock), Summer, 1961.

  EXHIBIT SEVEN (CLOCK) • house number Summer, 1961

  P+ VI
• 054 WATER YAM
  

  George Brecht, 3 Table and Chair Events.

  3 TABLE AND CHAIR EVENTS • newspaper • game plate knife • fork spoon glass

  P+ VI
• 049 WATER YAM
  

  George Brecht, Three Chair Events, Spring, 1961.

  THREE CHAIR EVENTS • Sitting on a black chair Occurrence. • Yellow chair. ( Occurrence. ) • On (or near) a white chair. Occurrence. Spring, 1961 G. Brecht

  P+ VI
• 042 WATER YAM
  

  George Brecht, Table – 1/3 (table).

  TABLE • table

  P+ VI
• 030 WATER YAM
  

  George Brecht, Six Doors.

  SIX DOORS • EXIT • ENTRANCE • EXIT ENTRANCE •

  P+ VI
• 064 WATER YAM
  

  George Brecht, Two Elimination Events, Summer, 1961.

  TWO ELIMINATION EVENTS empty vessel empty vessel Summer, 1961

  P+ VI
• 018 WATER YAM
  

  George Brecht, Instruction.

  INSTRUCTION • Turn on a radio. At the first sound, turn it off.

  P+ VI
• 063 WATER YAM
  

  George Brecht, Two Durations.

  TWO DURATIONS • red • green

  P+ VI
• 037 WATER YAM
  

  George Brecht, Stool – 3/3 (on ( or near ) a stool).

  STOOL on ( or near ) a stool

  P+ VI
• 043 WATER YAM
  

  George Brecht, Table – 2/3 (on a white table).

  TABLE • on a white table

  P+ VI
• 060 WATER YAM
  

  George Brecht, Two Approximations.

  TWO APPROXIMATIONS ( obituary )

  P+ VI
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