Systems



systems



arthurfouray.systems is both an archive of my work and a work I keep rearranging. Paintings, objects, music, books, exhibitions and unrealised projects share the same address. Duchamp’s La Boîte verte (1934) offers one point of departure: notes can extend a work without settling its meaning. I use the website as an archive, an interface and a book to navigate—a Gesamtkunstwerk, a total artwork whose parts keep their independence. A pillow gives a painting its dimensions; a sentence becomes a recording; an ISBN titles a painting. The connections matter as much as the differences. Making a process public means more than making it visible. I want its materials, sources and detours to be available without prescribing what anyone should make of them. Follow a date, an image, a title or a reference. There is no compulsory order. My logic is irregular.

3567 Images - 63044 Words - 117 Web Pages
Including: 3 Albums - 5 Books - 9 Bowls - 1017 Cards - 203 Collages - 2 Colours - 26 Curated Shows - 7 Decks of Cards - 650 Digital Media - 551 Drawings - 2 Editions - 10 Engravings - 7 Fine Arts School Displays - 9 Group Shows - 9 Illustrations - 5 Installations - 129 Instructions - 9 Interventions - 1 Interview - 9 Masks - 4 Models - 12 Music Release Covers - 1 Music Video - 25 NFTs - 112 Objects - 96 Paintings - 187 Photographs - 12 Plates - 16 Sculptures - 37 Silkscreens - 9 Singles - 26 Sketches - 4 Solo Shows - 30 Songs - 12 Texts - 6 Toy Series - 716 Tumblr Posts - 2 Typefaces - 4 Verbs - 1 Video Game - 5 Videos - 4 Wall Paintings - 9 Websites




P+

2012, 2024-2026
933 Images - 7153 Words - 8 Web Pages
Including: 1017 Cards - 203 Collages - 7 Decks of Cards - 357 Drawings - 129 Instructions - 25 NFTs

P+ gathers drawings, images, colours and propositions in cards. Selecting and rearranging can turn an association into a project. An idea can be shared before anyone knows how—or whether—to make it.




Music

2022-2026
12 Images - 9032 Words - 12 Web Pages
Including: 3 Albums - 1 Music Video - 12 Music Release Covers - 9 Singles - 30 Songs






rt4a

2021-2026
386 Images - 3456 Words - 31 Web Pages
Including: 9 Bowls - 27 Paintings - 12 Plates - 2 Sculptures

rt4a began with a phone’s transcription of a nickname. The code became a signature for paintings, objects and recordings. A common name leaves room for different ways of working.




D*************
2018-2019
*** Images - ***** Words
Including: ** *****, * ********, * *******

D************* *** ** ***** ************ ****** *’********* ************* *** ******** ** ***** ** *’***.





Screen

2017
45 Images - 1841 Words - 1 Web Page
Including: 1 Book - 36 Photographs - 12 Silkscreens - 1 Video

The artist book Screen comes from the 2015 Spectre exhibition research. A book, silkscreens on cushions and a video carry images between painting, print and cinema. Turning a page, moving through a room and watching a sequence become different ways of reading the same research.






Exhibition Making

2015-2026
708 Images - 18972 Words - 27 Web Pages
Including: 1 Book - 26 Curated Shows - 11 Texts - 1 Website

Making exhibitions with and for other people is part of my practice. A programme, a room and the information around a work shape who encounters it and how. Exhibition Making brings research, selection and arrangement into collaborations at Silicon Malley, DOC! and LUMA Arles. The work includes making the conditions in which another person’s work can be seen.






Arthur Fouray

2013-2017
210 Images - 11208 Words - 18 Web Pages
Including: 2 Colours - 5 Drawings - 2 Editions - 2 Fine Arts School Displays - 8 Group Shows - 2 Installations - 44 Paintings - 5 Sculptures - 25 Silkscreens - 4 Solo Shows - 4 Wall Paintings - 3 Websites - 1 Video

A pillow, a ladder or a bed base can give a painting its shape. An object can disappear behind a monochrome and return in its title. Across these works, what supports an image becomes part of what it says.






a plus o minus

2013-2015
122 Images - 884 Words - 3 Web Pages
Including: 9 Interventions - 112 Objects - 1 Website

a plus o minus is made with Nastassia Cougoulat Montel. We collect, photograph and arrange found, purchased and leftover objects. What draws us to a thing—and what changes when we put it beside another—becomes material for the work.






mmm

2013-2016
14 Images - 7856 Words - 3 Web Pages
Including: 1 Book - 1 Interview - 9 Photographs - 716 Tumblr Posts - 1 Typeface - 4 Verbs - 1 Website

The project mmm (the inverse of www) moves from online notes to a book and photographs. Typefaces borrowed from artists and institutions let words arrive already dressed in someone else’s visual language.






Pre–Natal

2011-2013
751 Images - 2176 Words - 5 Web Pages
Including: 602 Digital Media - 1 Drawing - 5 Fine Arts School Displays - 1 Group Show - 3 Installations - 16 Paintings - 108 Photographs - 1 Text - 1 Video Game - 3 Videos - 3 Websites

These early pieces test what a support, a label, a screen or a gap between objects can do. Arranging becomes a way of thinking: the same elements can form another sentence.






before Arts
1991-2011
386 Images - 466 Words - 1 Web Page
Including: 2 Books - 48 Digital Media - 188 Drawings - 10 Engravings - 9 Illustrations - 9 Masks - 4 Models - 9 Paintings - 34 Photographs - 9 Sculptures - 26 Sketches - 6 Toy Series - 1 Typeface