Relations


Arthur Fouray
Relations

Relations follows how the works, projects and pages of this site refer to one another: the people, places and series they share, what one shows of another, and the words that recur between them. Every relation is quoted from the site or from the curriculum vitae. A relation marked (inferred) was read from a shared word, name or number that the pages do not connect themselves; the map draws it dashed. The title comes from P+, where each family has its typeface: “BARBEDOR STD BOLD Relations”.

Move through the map by dragging, scrolling, with the arrow keys or by touch. Each word opens its page; the same relations are listed below.

Before Arts (1)

Pre-Natal (5)

A+O− (3)

  • A+O−
  • Entourage, 2014
    • BABY BLUE Accrochage Vaud (inferred)
      “‘Baby Blue Cocktail’”; “MC (Baby blue) 2016 acrylic, cotton–duck, ladder” — Accrochage Vaud. Why inferred: a shared colour name; neither page mentions the other.
    • THROUGH JULIEN GREMAUD M
      “on an invitation by Julien Gremaud, Think Tank”; “388 pages 2015 Publisher: Micronaut Editor: Julien Gremaud Conception: Arthur Fouray” — M
  • Objects

mmm (3)

  • M, 2015
    • DECOMPOSES INTO Art Hur Fou Ray
      “Décomposition des quatre syllabes de mon prénom et de mon nom de famille”
    • INCLUDES Synallagma Show
      “Synallagma Show Exposition collective Quark Genève, Suisse 2014”
    • INCLUDES Life is a Bed of Roses (un roman)
      “Life is a Bed of Roses Exposition collective Fondation Ricard Paris, France 2015”
    • INCLUDES Master HES–SO in Fine Arts
      “Master en Arts Hes-So en Arts Visuels Diplôme écal Renens, Suisse 2015”
    • SAME TYPEFACES P+
      “FRANKLIN GOTHIC EXTRA COND (LAWRENCE WEINER)” · “BARBEDOR COM BOLD (MOUSSE MAGAZINE)” · “STENCIL LT (LEO CASTELLI - ILEANA SONNABEND)”; “Franklin Gothic extra Condensed Shows” · “BARBEDOR STD BOLD Relations” · “Stencil LT Contexts” — P+
    • SPOKEN INTO A PHONE rt4a (inferred)
      “J’ai dicté à mon iPhone”; “transcribed vocally on a phone, in 2014” — rt4a. Why inferred: both describe words dictated into a phone; neither page names the other.
    • NINE PHOTOGRAPHS MM (inferred)
      “9 Photographs”; “MM 2016 Series of 9 photographs” — MM. Why inferred: the same count and the mmm family of titles; MM’s page does not mention M.
  • Artarre to Art Arter Kunsten
  • MM, 2016

Arthur Fouray (17)

SCREEN (1)

  • SCREEN, 2017
    • IS BASED ON Spectre
      “SCREEN Based on a true story : Spectre”

Silicon Malley (9)

DOC! (9)

LUMA (9)

Music (12)

rt4a (21)

P+ (4)

Biography and curriculum vitae (3)

Notions (18)

  • OBJECT-PAINTING IN Spectre
    “The ‘object-paintings’ series features Andy and Kasimir as its focal points”
    • AND IN BOOM (inferred)
      “Kasimir (Rose Pâle) 2014”. Why inferred: a Kasimir work, not called an object-painting on its page.
    • AND IN Master HES–SO in Fine Arts (inferred)
      “Andy IV 2014”. Why inferred: an Andy work, not called an object-painting on its page.
    • AND IN Osmosis (inferred)
      “Kasimir (Ciel)”. Why inferred: a Kasimir work, not called an object-painting on its page.
  • MONOCHROME IN Caravan
    “as well as monochrome painting”
    • AND IN #aaafff
      “the monochromatic expanse transforms into a dynamic interface”
    • AND IN Spectre
      “his dedication to monochromatic painting”
  • LABEL IN Pre Natal Phase
    “such as explanatory panels and labels, became integral to this research”
  • INTERFACE IN SCREEN
    “designed as an interface and ambience”
    • AND IN Caravan
      “literally at the interface of interior and exterior space”
    • AND IN #aaafff
      “the monochromatic expanse transforms into a dynamic interface”
    • AND IN Curriculum Vitae
      “conceived as a dynamic and interface-driven book”
  • CHROMA KEY IN 3 years, smart move
    “chroma key paint”
    • AND IN Kiefer Hablitzel Prize
      “#000fff (univision) (Kasimir I) 2016 Chroma key blue, wallpainting”
    • AND IN Spectre
      “#000fff (polyvision) (Spectre) 2015 Chroma key blue, wallpainting”
  • TYPEFACE IN M
    “(716 posts - 9 Photographs - 4 Verbs - 1 Book - 1 Typeface)”
    • AND IN P+
      “Franklin Gothic extra Condensed Shows”
    • AND IN SCREEN
      “21 silkscreens printed at Doc! composed in Franklin Gothic std”
    • AND IN Conservatism kills
      “coupled with the Helvetica typeface”
    • AND IN Dunno
      “his iconic use of the typeface Univers 85”
  • VERB IN M
    “4 Verbs”
  • ACRONYM IN rt4a
    “Through the use of an impersonal acronym, rt4a embraces”
    • AND IN P+
      “P+ serves as an acronym for Projects Prospects Possibilities +”
  • SIGNATURE IN rt4a
    “As a signature, it embodies a paradox”
  • SENTENCE IN Pre Natal Phase
    “they form compelling ‘sentences’ or narratives when grouped or curated together”
  • CONVERSATION IN A+O−
    “engage the viewer in a conversation about pop culture”
    • AND IN So Leggere
      “contribute to a conversation around the uncertain future”
  • UTOPIA IN P+
    “a representation, a utopia, or a dystopia”
  • WHITE CUBE IN Pre Natal Phase
    “traditional exhibition spaces, like the ‘white cube’, emerged as critical platforms”
    • AND IN P+I Drawings
      “A train, arranged as a white cube”
  • CERAMIC IN Plates
    “Mmm 2022-2023, Ceramic”
  • ARCHIVE IN Before Arts
    “Archives: 386 images (188 Drawings - 48 Digital Media - 34 Photographs”
  • CURATOR IN Biography
    “is an artist and curator whose practice explores the systems of narration, production, and distribution of art”
  • RUMOUR IN #aaafff
    “a cognitive interplay akin to a whisper or rumour”
  • CARD IN P+
    “then generates collections of cards on the website arthurfouray.systems, which serve as a template for real physical playing cards”

Continue with the Curriculum Vitae for the formal record, the Biography for a narrative account, the Chronology for the years in order, or the Index for the complete site structure.