Baby


Baby: animation of a flat slab turning in space, pale pink on one face and pale blue on the other.

baby


Arthur Fouray, Trans-Parent, 2013, Bachelor diploma presentation, ECAL, Renens, image 1 of 6


Arthur Fouray, Trans-Parent, 2013, Bachelor diploma presentation, ECAL, Renens, image 2 of 6


T r a n s-P a r e n t
diploma
l’elac
Renens, Switzerland
2013

T r a n s-P a r e n t was my Bachelor of Arts diploma at ECAL, Renens, Switzerland, in 2013, with Philippe Decrauzat as tutor. The works belong to the phase I called ‘Pre-Natal’, then ‘Baby’ (2011–2013). Dispersion paint goes onto a door, a bed base, a cart, wooden frames, plastic glass, MDF, OSB and polystyrene. Having to build an artistic practice and question it let me concentrate on colour and on calling the medium into question.

Arthur Fouray, Step Framed, 2013, dispersion, wooden frames, staples, 50 × 70 cm

Step Framed
dispersion, wooden frames, staples
50 × 70 cm
2013
Arthur Fouray, Trans-Parent, 2013, Bachelor diploma presentation, ECAL, Renens, image 3 of 6


T r a n s-P a r e n t
Arthur Fouray, Poly-Glass, 2013, dispersion, plastic glass, 5 × 9 cm

Poly-Glass
dispersion, plastic glass
5 × 9 cm
2013
Arthur Fouray, Trans-Parent, 2013, Bachelor diploma presentation, ECAL, Renens, image 4 of 6


T r a n s-P a r e n t

Arthur Fouray, Lite, 2013, dispersion, thick cotton, do it bed base, 124 × 204 × 10 cm


Lite
dispersion, thick cotton, do it bed base
124 × 204 × 10 cm
2013

Arthur Fouray, Mono Chat*Rio, 2013, dispersion, cotton canvas, cart, 38 × 25 cm

Mono Chat*Rio
dispersion, cotton canvas, cart
38 × 25 cm
2013
Arthur Fouray, Aleatoile, 2013, dispersion, cotton canvas, ribbon, Coca-Cola light, 8 × 25 × 8 cm


Aleatoile
dispersion, cotton canvas, ribbon, Coca-Cola light
8 × 25 × 8 cm
2013
Arthur Fouray, Dia:gonal, 2013, dispersion, white canvas, door, 85 × 200 cm

Dia:gonal
dispersion, white canvas, door
85 × 200 cm
2013
Arthur Fouray, Sol(h)ide, 2013, dispersion, MDF, 30 × 30 cm


Sol(h)ide
dispersion, MDF
30 × 30 cm
2013
Arthur Fouray, Inside Out, 2013, foam, wooden frame, 40 × 40 cm

Inside Out
foam, wooden frame
40 × 40 cm
2013
Arthur Fouray, Trans-Parent, 2013, Bachelor diploma presentation, ECAL, Renens, image 5 of 6


T r a n s-P a r e n t
Arthur Fouray, Pink 450g, 2013, dispersion, Arches paper, OSB, 111 × 111 × 3.5 cm

Pink 450g
dispersion, Arches paper, OSB
111 × 111 × 3.5 cm
2013
Arthur Fouray, Trans-Parent, 2013, Bachelor diploma presentation, ECAL, Renens, image 6 of 6

T r a n s-P a r e n t
Presque Cadres
Dia:gonal
Aleatoile
Pink 450g
Arthur Fouray, Presque Cadres, 2013, dispersion, polystyrene, 35 × 35 cm, 35 × 35 cm

Presque Cadres
dispersion, polystyrene
35 × 35 cm, 35 × 35 cm
2013

Camp-Views

Camp-Views, 2013. One hundred and eight images from the Pre-Natal period, 2011–2013. The idea is Susan Sontag’s: ‘Notes on “Camp”’, 1964.


Arthur Fouray, Untitled (Camp-Views, 001), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 002), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 003), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 004), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 005), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 006), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 007), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 008), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 009), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 010), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 011), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 012), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 013), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 014), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 015), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 016), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 017), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 018), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 019), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 020), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 021), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 022), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 023), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 024), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 025), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 026), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 027), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 028), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 029), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 030), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 031), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 032), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 033), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 034), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 035), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 036), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 037), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 038), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 039), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 040), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 041), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 042), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 043), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 044), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 045), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 046), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 047), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 048), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 049), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 050), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 051), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 052), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 053), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 054), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 055), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 056), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 057), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 058), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 059), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 060), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 061), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 062), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 063), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 064), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 065), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 066), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 067), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 068), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 069), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 070), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 071), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 072), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 073), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 074), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 075), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 076), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 077), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 078), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 079), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 080), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 081), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 082), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 083), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 084), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 085), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 086), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 087), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 088), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 089), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 090), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 091), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 092), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 093), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 094), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 095), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 096), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 097), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 098), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 099), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 100), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 101), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 102), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 103), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 104), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 105), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 106), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 107), 2013, Photograph


Arthur Fouray, Untitled (Camp-Views, 108), 2013, Photograph


Pre-Natal Phase




Pre-Natal



I called this phase 'Pre-Natal', then 'Baby' (2011–2013): the years of my bachelor's degree at ECAL, with Philippe Decrauzat as my tutor. I wanted to move my practice away from what is called contemporary art, towards the historical notion of the avant-garde, and to understand what an avant-garde could still mean. In 2013 I wrote that we take part in a universalised avant-garde, in which every individual artist embodies the collective by supporting the work of fellow artists, notably by showing it in the exhibitions they curate.


The space in which I presented my work counted for a great deal. The white cube of the exhibition and digital media both became places to work with. Brian O’Doherty's writing on the white cube and Marshall McLuhan's The Medium Is the Massage showed me the weight of the context in which art is presented.


My practice was mostly installation. Taken alone, my pieces could be seen as words; presented together or in groups, they became a sentence. I was interested in the limits of an object or a performance when it meets other elements. The succession of works on a wall could be imagined as film editing, in a 'sequence style', and each visitor's drift through the space edited it again. Several pieces came with notes instead of a fixed place: a canvas to be hung at eye level, a wall painting that stops at the highest point the painter can reach, a video that asks for its pale blue outline to be painted on the wall when it is projected.


Labels and wall texts became part of the research. Texts and ideas should accompany a work without overshadowing it or dictating how it is read: the visitor decides what they understand, according to their background or their mood, and this freedom left to the viewer is a great achievement of art. In 2012 I made Playing Labels (Cartels à Jouer), a deck of 37 cards: each card is the label of a work, with notes on how to show it. Robin Lebey and Frédéric Gabioud made some of the cards; the deck's rule is that tournaments of labels must be held regularly.


I came to treat every space involved in making art as material: the studio, the exhibition, printed formats and curatorial formats, through text, installation, painting, video, music and performance. Curating and my own practice began to meet. The deck of labels went furthest: P+ begins there.



Arthur Fouray, Studio > < Exhibition, 2013, variable objects, variable dimensions, image 1 of 6

Arthur Fouray, Studio > < Exhibition, 2013, variable objects, variable dimensions, image 2 of 6

Arthur Fouray, Studio > < Exhibition, 2013, variable objects, variable dimensions, image 3 of 6

Arthur Fouray, Studio > < Exhibition, 2013, variable objects, variable dimensions, image 4 of 6

Arthur Fouray, Studio > < Exhibition, 2013, variable objects, variable dimensions, image 5 of 6

Arthur Fouray, Studio > < Exhibition, 2013, variable objects, variable dimensions, image 6 of 6

Studio > < Exhibition
variable objects, variable dimensions
2013

Arthur Fouray, Accident Painting, 2012, resin, phosphorescent spray, cotton canvas, spruce, 121 × 31 × 4 cm

Accident Painting
resin, phosphorescent spray, cotton canvas, spruce
121 × 31 × 4 cm
2012






Arthur Fouray, C. R. O. M., 2012, group show with Paul Limoujoux, Nicolas Degrange and Camille Store, Tour Saint-Georges, Saint-Émilion, image 1 of 4


Arthur Fouray, C. R. O. M., 2012, group show with Paul Limoujoux, Nicolas Degrange and Camille Store, Tour Saint-Georges, Saint-Émilion, image 2 of 4


Arthur Fouray, C. R. O. M., 2012, group show with Paul Limoujoux, Nicolas Degrange and Camille Store, Tour Saint-Georges, Saint-Émilion, image 3 of 4


Arthur Fouray, C. R. O. M., 2012, group show with Paul Limoujoux, Nicolas Degrange and Camille Store, Tour Saint-Georges, Saint-Émilion, image 4 of 4

C. R. O. M.
Group show with Paul Limoujoux, Nicolas Degrange and Camille Store
Tour Saint-Georges
Saint-Émilion, France
1–9 September 2012

Arthur Fouray, Une Histoire de Plage, 2012, chair, latex, tarp, latex, tarp, 130 × 80 × 35 cm

Une Histoire de Plage
chair, latex, tarp, latex, tarp
130 × 80 × 35 cm
2012

Arthur Fouray, L'une, 2012, resin, oil bottle, 20 × 20 × 60 cm

L'une
resin, oil bottle
20 × 20 × 60 cm
2012

Arthur Fouray, Levier, 2012, resin, bottle rack, 60 × 40 × 40 cm

Levier
resin, bottle rack
60 × 40 × 40 cm
2012





4pm (2011) – Arthur Fouray
4pm
video with sound
49 min 51 sec
2011
Arthur Fouray, Mic/Not Working, 2012, écal, Renens, image 1 of 2


Arthur Fouray, Mic/Not Working, 2012, écal, Renens, image 2 of 2

Mic/Not Working
écal
Renens, Switzerland
2012

Playing Labels (Cartels à Jouer)
37 playing cards, 62 × 87 mm
2012

Notes:
The origin of P+; the whole deck is P+ N.
PDF: English / Français

Arthur Fouray, 1/2 Agnès Martin, 2012, acrylic on canvas, 76.4 × 76.4 × 2.5 cm

1/2 Agnès Martin
acrylic on canvas
76.4 × 76.4 × 2.5 cm
2012

Notes:
The best conditions for this canvas to be fully appreciated are met when it is hung at eye level, and is more than one size away from the other pieces.

  1. 1/2 Agnès Martin
    Arthur Fouray,
    acrylic on canvas,
    2012,
    76.4 × 76.4 × 2.5 cm.
    Notes:
    The best conditions for this
    canvas to be fully appreciated
    are met when it is hung at eye
    level, and is more than one size
    away from the other pieces.

Arthur Fouray, CHROME, 2012, canvas on frame, spray-painted

CHROME
canvas on frame, spray-painted
2012

Notes:
This canvas can be displayed vertically, or diagonally, depending on use. The white wall is a quality choice.

  1. CHROME
    Arthur Fouray,
    Canvas on frame,
    spray-painted,
    2012.
    Notes:
    This canvas can be displayed
    vertically, or diagonally,
    depending on use. The white wall
    is a quality choice.





Arthur Fouray, Ok?, 2012, Galerie Toroni, écal, Renens, image 1 of 2

Arthur Fouray
Ok?
Installation view
Galerie Toroni, écal
Renens, Switzerland
2012

Arthur Fouray, Deux Rêves, 2012, Ok?, Galerie Toroni, écal, Renens, image 2 of 2

Arthur Fouray
Deux Rêves
Installation view in Ok?
Galerie Toroni, écal
Renens, Switzerland
2012


Et alors ? – PDF, French, 4 pages
Exercices de recherches – PDF, French, 9 pages
Espace / Sous-espace – PDF, French, 3 pages
Iceberg – PDF, French, 5 pages
Pour le plus beau des arts, essayez le Pop – PDF, French, 42 pages



Arthur Fouray, Dal(le) Erranc(e), 2012, 2 resin bricks, 25.5 × 12.5 × 6 cm

Dal(le) Erranc(e)
2 resin bricks
25.5 × 12.5 × 6 cm
2012

Notes:
These two bricks must be presented side by side on the floor. The arrangement is left to the curator's discretion.

Arthur Fouray, PEPITO, 2012, resin and foam on Sagex, 25 × 25 × 3 cm

PEPITO
resin and foam on Sagex
25 × 25 × 3 cm
2012

Notes:
This sculpture must imperatively be shown on the wall, at a height other than 175 cm.

  1. PEPITO PIZZA
    Arthur Fouray,
    Resin and foam
    on sagex,
    2012.
    Notes:
    This sculpture must imperatively
    be shown on the wall, at a height
    other than 175 cm.

PAV (2012) – Arthur Fouray
P.A.V.
video with sound
14 min 23 sec
2012
Arthur Fouray, P.A.S., 2012, book on printed canvas, 27 × 46.5 × 3 cm

P.A.S.
book on printed canvas
27 × 46.5 × 3 cm
2012

Notes:
This testimonial-sculpture is to be placed on the floor. Connection with the video 'P.A.V.' is not necessary.

  1. P.A.S.
    Arthur Fouray,
    book on printed canvas,
    2012,
    27 × 46.5 × 3 cm.
    Notes:
    This testimonial-sculpture is to
    be placed on the floor.
    Connection with the video
    “P.A.V.” is not necessary.

Arthur Fouray, FAUX PLAFOND, 2012, rosette (white) on painted wall (blue), 125 × variable height × 2 cm




Arthur Fouray, FAUX PLAFOND, 2012, image 2 of 2

FAUX PLAFOND
rosette (white) on painted wall (blue)
125 × variable height × 2 cm
2012

Notes:
The rosette should appear on an azure/sea-blue background. The wall must be painted with scotch tape on the left and right, starting at the floor. The wall painting stops at the highest point the painter can reach. Paint is applied with a roller.

  1. FAUX PLAFOND
    Arthur Fouray,
    Rosette (white) on
    painted wall (blue),
    2012.
    Notes:
    The rosette should appear on an
    azure/sea-blue background. The
    wall must be painted with scotch
    tape on the left and right, starting
    at the floor. The wall painting
    stops at the highest point the
    painter can reach. Paint is
    applied with a roller.

Arthur Fouray, FROMAGE, 2012, four layers of resin, yellow, orange, then 2× yellow, on object, 25 × 70 × 15 cm

FROMAGE
four layers of resin, yellow, orange, then 2× yellow, on object
25 × 70 × 15 cm
2012

Notes:
This panoptical object should be placed intelligently on the floor. It can also play with 'FROMAGE (BIS)'.

  1. FROMAGE
    Arthur Fouray,
    Four layers of
    resin, yellow, orange,
    then 2× yellow,
    on object,
    2012.
    Notes:
    This panoptical object should be
    placed intelligently on the floor. It
    can also play with “FROMAGE
    (BIS)”.
  2. FROMAGE (BIS)
    Arthur Fouray,
    Spray paint and
    resin on object,
    2012.
    Notes:
    This panoptical object should be
    placed intelligently, on the floor,
    on the wall or on the ceiling, to
    raise a question about its
    function. It can also play with
    “FROMAGE”.




DE)a(F – PDF, French

Pre Natal Portfolio – English PDF
Pre Natal Portfolio – two-page PDF view

A Painting on the Wall

Arthur Fouray
A Painting on the Wall
2012–2013
(112 Digital Media)

A Painting on the Wall, a website from the Pre-Natal period, treats the relation between foreground and background from a curatorial point of view. Each page rests on an image of 595 × 842 pixels, which corresponds to the A4 format. The aim was a medium close to an exhibition display, adapted to web standards.
Arthur Fouray, A Painting on the Wall, 2012, 001: Yo
001
Arthur Fouray, A Painting on the Wall, 2012, 002: Really
002
Arthur Fouray, A Painting on the Wall, 2012, 003: Ton Sur Thon
003
Arthur Fouray, A Painting on the Wall, 2012, 004: Wallpaper
004
Arthur Fouray, A Painting on the Wall, 2012, 005: Village En Minuscule
005
Arthur Fouray, A Painting on the Wall, 2012, 006: Village Fleur
006
Arthur Fouray, A Painting on the Wall, 2012, 007
007
Arthur Fouray, A Painting on the Wall, 2012, 008: Swiss3
008
Arthur Fouray, A Painting on the Wall, 2012, 009: Square
009
Arthur Fouray, A Painting on the Wall, 2012, 010: Void Drawing
010
Arthur Fouray, A Painting on the Wall, 2012, 011
011
Arthur Fouray, A Painting on the Wall, 2012, 012
012
Arthur Fouray, A Painting on the Wall, 2012, 013: Svec
013
Arthur Fouray, A Painting on the Wall, 2012, 014: Rorschach
014
Arthur Fouray, A Painting on the Wall, 2012, 015
015
Arthur Fouray, A Painting on the Wall, 2012, 016
016
Arthur Fouray, A Painting on the Wall, 2012, 017: Swiss at Night
017
Arthur Fouray, A Painting on the Wall, 2012, 018: Void Drawing
018
Arthur Fouray, A Painting on the Wall, 2012, 019: Village
019
Arthur Fouray, A Painting on the Wall, 2012, 020: Wallpaper
020
Arthur Fouray, A Painting on the Wall, 2012, 021
021
Arthur Fouray, A Painting on the Wall, 2012, 022: Void Drawing
022
Arthur Fouray, A Painting on the Wall, 2012, 023
023
Arthur Fouray, A Painting on the Wall, 2012, 024
024
Arthur Fouray, A Painting on the Wall, 2012, 025: Zubrowska
025
Arthur Fouray, A Painting on the Wall, 2012, 026
026
Arthur Fouray, A Painting on the Wall, 2012, 027: Serena
027
Arthur Fouray, A Painting on the Wall, 2012, 028: Page
028
Arthur Fouray, A Painting on the Wall, 2012, 029: Tritritri
029
Arthur Fouray, A Painting on the Wall, 2012, 030: Miroir
030
Arthur Fouray, A Painting on the Wall, 2012, 031
031
Arthur Fouray, A Painting on the Wall, 2012, 032
032
Arthur Fouray, A Painting on the Wall, 2012, 033
033
Arthur Fouray, A Painting on the Wall, 2012, 034
034
Arthur Fouray, A Painting on the Wall, 2012, 035: Rod
035
Arthur Fouray, A Painting on the Wall, 2012, 036: Ricard
036
Arthur Fouray, A Painting on the Wall, 2012, 037: Rod2
037
Arthur Fouray, A Painting on the Wall, 2012, 038: Mi
038
Arthur Fouray, A Painting on the Wall, 2012, 039: Second
039
Arthur Fouray, A Painting on the Wall, 2012, 040: Ipad Zoom
040
Arthur Fouray, A Painting on the Wall, 2012, 041: Sinon
041
Arthur Fouray, A Painting on the Wall, 2012, 042: La Mariée Mise à Nus Par Ces Célibataires Même
042
Arthur Fouray, A Painting on the Wall, 2012, 043
043
Arthur Fouray, A Painting on the Wall, 2012, 044: Mosset
044
Arthur Fouray, A Painting on the Wall, 2012, 045: Oh Kay
045
Arthur Fouray, A Painting on the Wall, 2012, 046: Rod1
046
Arthur Fouray, A Painting on the Wall, 2012, 047: Magic
047
Arthur Fouray, A Painting on the Wall, 2012, 048
048
Arthur Fouray, A Painting on the Wall, 2012, 049: Texte Intégral
049
Arthur Fouray, A Painting on the Wall, 2012, 050: Richter Duchamp Nu Ne Descendant Pas l'Escalier
050
Arthur Fouray, A Painting on the Wall, 2012, 051: P
051
Arthur Fouray, A Painting on the Wall, 2012, 052: Remix
052
Arthur Fouray, A Painting on the Wall, 2012, 053: Marcel Broodthaers
053
Arthur Fouray, A Painting on the Wall, 2012, 054: Pmdcp
054
Arthur Fouray, A Painting on the Wall, 2012, 055: Iceberg.page. Récupéré
055
Arthur Fouray, A Painting on the Wall, 2012, 056: Jager
056
Arthur Fouray, A Painting on the Wall, 2012, 057
057
Arthur Fouray, A Painting on the Wall, 2012, 058
058
Arthur Fouray, A Painting on the Wall, 2012, 059
059
Arthur Fouray, A Painting on the Wall, 2012, 060: Okay Copie
060
Arthur Fouray, A Painting on the Wall, 2012, 061: Josef Albers
061
Arthur Fouray, A Painting on the Wall, 2012, 062: Jodorowsky
062
Arthur Fouray, A Painting on the Wall, 2012, 063: Ncea3
063
Arthur Fouray, A Painting on the Wall, 2012, 064: Fontana
064
Arthur Fouray, A Painting on the Wall, 2012, 065: Icebergpage
065
Arthur Fouray, A Painting on the Wall, 2012, 066: Joy
066
Arthur Fouray, A Painting on the Wall, 2012, 067: Heineken
067
Arthur Fouray, A Painting on the Wall, 2012, 068: Mediafire
068
Arthur Fouray, A Painting on the Wall, 2012, 069: Idgap3
069
Arthur Fouray, A Painting on the Wall, 2012, 070: Josef Albers Erwin Wurm
070
Arthur Fouray, A Painting on the Wall, 2012, 071: Fond
071
Arthur Fouray, A Painting on the Wall, 2012, 072: Morellet
072
Arthur Fouray, A Painting on the Wall, 2012, 073: Jaune
073
Arthur Fouray, A Painting on the Wall, 2012, 074: I Don't Know
074
Arthur Fouray, A Painting on the Wall, 2012, 075: Ebay
075
Arthur Fouray, A Painting on the Wall, 2012, 076: G1
076
Arthur Fouray, A Painting on the Wall, 2012, 077: D1
077
Arthur Fouray, A Painting on the Wall, 2012, 078: First
078
Arthur Fouray, A Painting on the Wall, 2012, 079: Iceberg.page
079
Arthur Fouray, A Painting on the Wall, 2012, 080: Hdm
080
Arthur Fouray, A Painting on the Wall, 2012, 081: Hendrick
081
Arthur Fouray, A Painting on the Wall, 2012, 082: Hidden Red Bull
082
Arthur Fouray, A Painting on the Wall, 2012, 083: Espace sous Espace
083
Arthur Fouray, A Painting on the Wall, 2012, 084: Close to the Father
084
Arthur Fouray, A Painting on the Wall, 2012, 085: Espace sous Espace
085
Arthur Fouray, A Painting on the Wall, 2012, 086: Fouray
086
Arthur Fouray, A Painting on the Wall, 2012, 087: Chardonmalevitch
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Arthur Fouray, A Painting on the Wall, 2012, 088: Cœur Cœur
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Arthur Fouray, A Painting on the Wall, 2012, 089: Digital Roman Opalka
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Arthur Fouray, A Painting on the Wall, 2012, 090: Fil
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Arthur Fouray, A Painting on the Wall, 2012, 091: Ciel
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Arthur Fouray, A Painting on the Wall, 2012, 092: Close Up
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Arthur Fouray, A Painting on the Wall, 2012, 093: Facebook
093
Arthur Fouray, A Painting on the Wall, 2012, 094: Ciel
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Arthur Fouray, A Painting on the Wall, 2012, 095: À l'Escale
095
Arthur Fouray, A Painting on the Wall, 2012, 096: Chat
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Arthur Fouray, A Painting on the Wall, 2012, 097: 2crauzat
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Arthur Fouray, A Painting on the Wall, 2012, 098: A
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Arthur Fouray, A Painting on the Wall, 2012, 099: S0 00i
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Arthur Fouray, A Painting on the Wall, 2012, 100: Cat Dog Friendship
100
Arthur Fouray, A Painting on the Wall, 2012, 101: Chardon Malevitch Fond
101
Arthur Fouray, A Painting on the Wall, 2012, 102: Arthur Fouray Nastassia Cougoulat
102
Arthur Fouray, A Painting on the Wall, 2012, 103: Ceci Ne Veut Absolument Rien Dire
103
Arthur Fouray, A Painting on the Wall, 2012, 104: Ce Leste
104
Arthur Fouray, A Painting on the Wall, 2012, 105: 21ldcm2
105
Arthur Fouray, A Painting on the Wall, 2012, 106: Amazon
106
Arthur Fouray, A Painting on the Wall, 2012, 107: Apple
107
Arthur Fouray, A Painting on the Wall, 2012, 108: Cav2
108

Arthur Fouray, A Painting on the Wall, 2012, 109: Aa
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Arthur Fouray, A Painting on the Wall, 2012, 110: Decrauzat
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Arthur Fouray, A Painting on the Wall, 2012, 111
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Arthur Fouray, A Painting on the Wall, 2012, 112
112

Void Drawing

Void Drawing Participation in ‘ORBITES EXCENTRIQUES’, the first exhibition of the MIna Virtual Museum, curated by Jean Bourgois. Inspired by THX 1138, this project is a metaphor for a trajectory becoming a drawing in the void. The exhibition was available at this address: minaccess.com (no longer online).

Void Drawing 1, Arthur Fouray, 2012: snow falling over a white plain, a basketball in the air.

Dribbler ? Arthur Fouray, basketball standing for the entrance to 'Void Drawing', 3D, 2012.

Void Drawing 2, Arthur Fouray, 2012: drink cans scattered on a snowy slope.

Junky Ants Arthur Fouray, intervention in the museum's space / dis(placement)carded in Antarctica, 3D, 2012.

Void Drawing 3, Arthur Fouray, 2012: blue, green and red blocks side by side on white, a black ball below.

Void Drawing Arthur Fouray, the project's 'white space', 3D, 2012.

TV Wall Arthur Fouray, wall activating three colours: blue, green, red, 3D, 2012.

REZ Arthur Fouray, Ball = Pencil, 3D, 2012.

Void Drawing 4, Arthur Fouray, 2012: blue and green walls on white, a red post in front.

Void Drawing Arthur Fouray, the project's 'white space', 3D, 2012.

TV Wall Arthur Fouray, wall activating three colours: blue, green, red, 3D, 2012.

REZ Arthur Fouray, Ball = Pencil, 3D, 2012.

Traces Arthur Fouray, 3D, 2012.

Traces Arthur Fouray, 3D, 2012.

Void Drawing 5, Arthur Fouray, 2012: a white statue of Christ with open arms beside long rows of yellow balls, one of them green.

Void Drawing Arthur Fouray, the project's 'white space', 3D, 2012.

REZ Arthur Fouray, Ball = Pencil, 3D, 2012.

Traces Arthur Fouray, 3D, 2012.

Jesus Arthur Fouray, portal for leaving the project and discovering the traced drawing, Taschen 3D, 2012.

Void Drawing 6, Arthur Fouray, 2012: lines in blue, green, red, yellow and black traced on white.

Drawing 1138 Arthur Fouray, drawing obtained from the traces, JPEG, 2012.

Traces Obtained Arthur Fouray, JPEG, 2012.

Jesus Arthur Fouray, portal for leaving the project and discovering the traced drawing, Taschen 3D, 2012.

Arthur Fouray, Void Drawing 1, 2012, Dribbler ?: Arthur Fouray, basketball standing for the entrance to 'Void Drawing', 3D, 2012.

Dribbler ?: Arthur Fouray, basketball standing for the entrance to 'Void Drawing', 3D, 2012.

Arthur Fouray, Void Drawing 2, 2012, Junky Ants: Arthur Fouray, intervention in the museum's space / dis(placement)carded in Antarctica, 3D, 2012.

Junky Ants: Arthur Fouray, intervention in the museum's space / dis(placement)carded in Antarctica, 3D, 2012.

Arthur Fouray, Void Drawing 3, 2012, Void Drawing: Arthur Fouray, the project's 'white space', 3D, 2012. TV Wall: Arthur Fouray, wall activating three colours: blue, green, red, 3D, 2012. REZ: Arthur Fouray, Ball = Pencil, 3D, 2012.

Void Drawing: Arthur Fouray, the project's 'white space', 3D, 2012.

TV Wall: Arthur Fouray, wall activating three colours: blue, green, red, 3D, 2012.

REZ: Arthur Fouray, Ball = Pencil, 3D, 2012.

Arthur Fouray, Void Drawing 4, 2012, Void Drawing: Arthur Fouray, the project's 'white space', 3D, 2012. TV Wall: Arthur Fouray, wall activating three colours: blue, green, red, 3D, 2012. REZ: Arthur Fouray, Ball = Pencil, 3D, 2012. Traces: Arthur Fouray, 3D, 2012. Traces: Arthur Fouray, 3D, 2012.

Void Drawing: Arthur Fouray, the project's 'white space', 3D, 2012.

TV Wall: Arthur Fouray, wall activating three colours: blue, green, red, 3D, 2012.

REZ: Arthur Fouray, Ball = Pencil, 3D, 2012.

Traces: Arthur Fouray, 3D, 2012.

Traces: Arthur Fouray, 3D, 2012.

Arthur Fouray, Void Drawing 5, 2012, Void Drawing: Arthur Fouray, the project's 'white space', 3D, 2012. REZ: Arthur Fouray, Ball = Pencil, 3D, 2012. Traces: Arthur Fouray, 3D, 2012. Jesus: Arthur Fouray, portal for leaving the project and discovering the traced drawing, Taschen 3D, 2012.

Void Drawing: Arthur Fouray, the project's 'white space', 3D, 2012.

REZ: Arthur Fouray, Ball = Pencil, 3D, 2012.

Traces: Arthur Fouray, 3D, 2012.

Jesus: Arthur Fouray, portal for leaving the project and discovering the traced drawing, Taschen 3D, 2012.

Arthur Fouray, Void Drawing 6, 2012, Drawing 1138: Arthur Fouray, drawing obtained from the traces, JPEG, 2012. Traces Obtained: Arthur Fouray, JPEG, 2012. Jesus: Arthur Fouray, portal for leaving the project and discovering the traced drawing, Taschen 3D, 2012.

Drawing 1138: Arthur Fouray, drawing obtained from the traces, JPEG, 2012.

Traces Obtained: Arthur Fouray, JPEG, 2012.

Jesus: Arthur Fouray, portal for leaving the project and discovering the traced drawing, Taschen 3D, 2012.

Missing Information

Missing Information began in December 2011 as hundreds of one-second clips of fractal and interference images. A first video of 9′58″ came out of them in January 2012. The film, finished in 2026, runs 16′01″. The 488 GIFs came after the clips; they play as a grid of simultaneous loops. A separate hour-long audio work shares the title, with a question mark added.

I wanted to test what a change of format could do to a work. The videos have a beginning and an end; the GIFs, played together, have neither. In 4pm and P.A.V. the movement comes from physical gestures. Here it comes from the format.

Missing Information (2011) – Arthur Fouray
Arthur Fouray, Missing Information, 001, 2011, Fractal image
Arthur Fouray, Missing Information, 002, 2011, Fractal image
Arthur Fouray, Missing Information, 003, 2011, Fractal image
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Arthur Fouray, Missing Information, 345, 2011, Fractal image
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Arthur Fouray, Missing Information, 347, 2011, Fractal image
Arthur Fouray, Missing Information, 348, 2011, Fractal image
Arthur Fouray, Missing Information, 349, 2011, Fractal image
Arthur Fouray, Missing Information, 350, 2011, Fractal image
Arthur Fouray, Missing Information, 351, 2011, Fractal image
Arthur Fouray, Missing Information, 352, 2011, Fractal image
Arthur Fouray, Missing Information, 353, 2011, Fractal image
Arthur Fouray, Missing Information, 354, 2011, Fractal image
Arthur Fouray, Missing Information, 355, 2011, Fractal image
Arthur Fouray, Missing Information, 356, 2011, Fractal image
Arthur Fouray, Missing Information, 357, 2011, Fractal image
Arthur Fouray, Missing Information, 358, 2011, Fractal image
Arthur Fouray, Missing Information, 359, 2011, Fractal image
Arthur Fouray, Missing Information, 360, 2011, Fractal image
Arthur Fouray, Missing Information, 361, 2011, Fractal image
Arthur Fouray, Missing Information, 362, 2011, Fractal image
Arthur Fouray, Missing Information, 363, 2011, Fractal image
Arthur Fouray, Missing Information, 364, 2011, Fractal image
Arthur Fouray, Missing Information, 365, 2011, Fractal image
Arthur Fouray, Missing Information, 366, 2011, Fractal image
Arthur Fouray, Missing Information, 367, 2011, Fractal image
Arthur Fouray, Missing Information, 368, 2011, Fractal image
Arthur Fouray, Missing Information, 369, 2011, Fractal image
Arthur Fouray, Missing Information, 370, 2011, Fractal image
Arthur Fouray, Missing Information, 371, 2011, Fractal image
Arthur Fouray, Missing Information, 372, 2011, Fractal image
Arthur Fouray, Missing Information, 373, 2011, Fractal image
Arthur Fouray, Missing Information, 374, 2011, Fractal image
Arthur Fouray, Missing Information, 375, 2011, Fractal image
Arthur Fouray, Missing Information, 376, 2011, Fractal image
Arthur Fouray, Missing Information, 377, 2011, Fractal image
Arthur Fouray, Missing Information, 378, 2011, Fractal image
Arthur Fouray, Missing Information, 379, 2011, Fractal image
Arthur Fouray, Missing Information, 380, 2011, Fractal image
Arthur Fouray, Missing Information, 381, 2011, Fractal image
Arthur Fouray, Missing Information, 382, 2011, Fractal image
Arthur Fouray, Missing Information, 383, 2011, Fractal image
Arthur Fouray, Missing Information, 384, 2011, Fractal image
Arthur Fouray, Missing Information, 385, 2011, Fractal image
Arthur Fouray, Missing Information, 386, 2011, Fractal image
Arthur Fouray, Missing Information, 387, 2011, Fractal image
Arthur Fouray, Missing Information, 388, 2011, Fractal image
Arthur Fouray, Missing Information, 389, 2011, Fractal image
Arthur Fouray, Missing Information, 390, 2011, Fractal image
Arthur Fouray, Missing Information, 391, 2011, Fractal image
Arthur Fouray, Missing Information, 392, 2011, Fractal image
Arthur Fouray, Missing Information, 393, 2011, Fractal image
Arthur Fouray, Missing Information, 394, 2011, Fractal image
Arthur Fouray, Missing Information, 395, 2011, Fractal image
Arthur Fouray, Missing Information, 396, 2011, Fractal image
Arthur Fouray, Missing Information, 397, 2011, Fractal image
Arthur Fouray, Missing Information, 398, 2011, Fractal image
Arthur Fouray, Missing Information, 399, 2011, Fractal image
Arthur Fouray, Missing Information, 400, 2011, Fractal image
Arthur Fouray, Missing Information, 401, 2011, Fractal image
Arthur Fouray, Missing Information, 402, 2011, Fractal image
Arthur Fouray, Missing Information, 403, 2011, Fractal image
Arthur Fouray, Missing Information, 404, 2011, Fractal image
Arthur Fouray, Missing Information, 405, 2011, Fractal image
Arthur Fouray, Missing Information, 406, 2011, Fractal image
Arthur Fouray, Missing Information, 407, 2011, Fractal image
Arthur Fouray, Missing Information, 408, 2011, Fractal image
Arthur Fouray, Missing Information, 409, 2011, Fractal image
Arthur Fouray, Missing Information, 410, 2011, Fractal image
Arthur Fouray, Missing Information, 411, 2011, Fractal image
Arthur Fouray, Missing Information, 412, 2011, Fractal image
Arthur Fouray, Missing Information, 413, 2011, Fractal image
Arthur Fouray, Missing Information, 414, 2011, Fractal image
Arthur Fouray, Missing Information, 415, 2011, Fractal image
Arthur Fouray, Missing Information, 416, 2011, Fractal image
Arthur Fouray, Missing Information, 417, 2011, Fractal image
Arthur Fouray, Missing Information, 418, 2011, Fractal image
Arthur Fouray, Missing Information, 419, 2011, Fractal image
Arthur Fouray, Missing Information, 420, 2011, Fractal image
Arthur Fouray, Missing Information, 421, 2011, Fractal image
Arthur Fouray, Missing Information, 422, 2011, Fractal image
Arthur Fouray, Missing Information, 423, 2011, Fractal image
Arthur Fouray, Missing Information, 424, 2011, Fractal image
Arthur Fouray, Missing Information, 425, 2011, Fractal image
Arthur Fouray, Missing Information, 426, 2011, Fractal image
Arthur Fouray, Missing Information, 427, 2011, Fractal image
Arthur Fouray, Missing Information, 428, 2011, Fractal image
Arthur Fouray, Missing Information, 429, 2011, Fractal image
Arthur Fouray, Missing Information, 430, 2011, Fractal image
Arthur Fouray, Missing Information, 431, 2011, Fractal image
Arthur Fouray, Missing Information, 432, 2011, Fractal image
Arthur Fouray, Missing Information, 433, 2011, Fractal image
Arthur Fouray, Missing Information, 434, 2011, Fractal image
Arthur Fouray, Missing Information, 435, 2011, Fractal image
Arthur Fouray, Missing Information, 436, 2011, Fractal image
Arthur Fouray, Missing Information, 437, 2011, Fractal image
Arthur Fouray, Missing Information, 438, 2011, Fractal image
Arthur Fouray, Missing Information, 439, 2011, Fractal image
Arthur Fouray, Missing Information, 440, 2011, Fractal image
Arthur Fouray, Missing Information, 441, 2011, Fractal image
Arthur Fouray, Missing Information, 442, 2011, Fractal image
Arthur Fouray, Missing Information, 443, 2011, Fractal image
Arthur Fouray, Missing Information, 444, 2011, Fractal image
Arthur Fouray, Missing Information, 445, 2011, Fractal image
Arthur Fouray, Missing Information, 446, 2011, Fractal image
Arthur Fouray, Missing Information, 447, 2011, Fractal image
Arthur Fouray, Missing Information, 448, 2011, Fractal image
Arthur Fouray, Missing Information, 449, 2011, Fractal image
Arthur Fouray, Missing Information, 450, 2011, Fractal image
Arthur Fouray, Missing Information, 451, 2011, Fractal image
Arthur Fouray, Missing Information, 452, 2011, Fractal image
Arthur Fouray, Missing Information, 453, 2011, Fractal image
Arthur Fouray, Missing Information, 454, 2011, Fractal image
Arthur Fouray, Missing Information, 455, 2011, Fractal image
Arthur Fouray, Missing Information, 456, 2011, Fractal image
Arthur Fouray, Missing Information, 457, 2011, Fractal image
Arthur Fouray, Missing Information, 458, 2011, Fractal image
Arthur Fouray, Missing Information, 459, 2011, Fractal image
Arthur Fouray, Missing Information, 460, 2011, Fractal image
Arthur Fouray, Missing Information, 461, 2011, Fractal image
Arthur Fouray, Missing Information, 462, 2011, Fractal image
Arthur Fouray, Missing Information, 463, 2011, Fractal image
Arthur Fouray, Missing Information, 464, 2011, Fractal image
Arthur Fouray, Missing Information, 465, 2011, Fractal image
Arthur Fouray, Missing Information, 466, 2011, Fractal image
Arthur Fouray, Missing Information, 467, 2011, Fractal image
Arthur Fouray, Missing Information, 468, 2011, Fractal image
Arthur Fouray, Missing Information, 469, 2011, Fractal image
Arthur Fouray, Missing Information, 470, 2011, Fractal image
Arthur Fouray, Missing Information, 471, 2011, Fractal image
Arthur Fouray, Missing Information, 472, 2011, Fractal image
Arthur Fouray, Missing Information, 473, 2011, Fractal image
Arthur Fouray, Missing Information, 474, 2011, Fractal image
Arthur Fouray, Missing Information, 475, 2011, Fractal image
Arthur Fouray, Missing Information, 476, 2011, Fractal image
Arthur Fouray, Missing Information, 477, 2011, Fractal image
Arthur Fouray, Missing Information, 478, 2011, Fractal image
Arthur Fouray, Missing Information, 479, 2011, Fractal image
Arthur Fouray, Missing Information, 480, 2011, Fractal image
Arthur Fouray, Missing Information, 481, 2011, Fractal image
Arthur Fouray, Missing Information, 482, 2011, Fractal image
Arthur Fouray, Missing Information, 483, 2011, Fractal image
Arthur Fouray, Missing Information, 484, 2011, Fractal image
Arthur Fouray, Missing Information, 485, 2011, Fractal image
Arthur Fouray, Missing Information, 486, 2011, Fractal image
Arthur Fouray, Missing Information, 487, 2011, Fractal image
Arthur Fouray, Missing Information, 488, 2011, Fractal image